|

Sogo Bò is a puppet masquerade performed by members of youth societies in the Segou
region of Mali by the Boso, Somono, Markla, and Bamana peoples. The masquerades occur
at the change of the rainy and dry seasons. Sogo Bò dates from the pre-Colonial era
and evolved from grass puppets into wooden and cloth figures.
Sogo Bò masquerades include traditional songs and performances that pertain to hunting
and fishing, placating water and forest genies, and giving thanks to the spirits after
an animal has been killed. The performances also use satire to address current social
issues within the culture and to challenge the traditional age and gender hierarchies.
Sogo Bò: The Animals Come Forth features a selection of puppets and masks used in the Sogo Bò masquerade. The objects
were chosen from the collection of Mary Sue and Paul Peter Rosen.
Download the gallery guide
This exhibit was created by the following undergraduate and graduate students in Art
History/Anthropology 4662/6662 Museum Exhibitions class, a part of the Museum Studies
program at the University of Memphis.
| Nancy Cook - Art History |
William DeVore - Earth Sciences/Museum Studies |
| Chantel Drake - Art History |
Kelli George - History/Anthropology |
| Moises Gonzales - Art History |
Jamie Hanskiewicz - Art History |
| Emily Hassler - Earth Sciences/ Museum Studies |
Brittany Miller - Art HIstory |
| Kathleen Smith-Northcott - Anthropology |
Tiffany Redman - History |
| Erin Rohlfing - History |
Emily Schwimmer - History |
| Mary K. Stringer - History and Museum Studies |
John Wolfe - Art |
Instructor: Dr. Patricia Podzorski
Special thanks to Dr. Mary Jo Arnoldi, PhD curator Africa, Department of Anthropology,
The Smithsonian Institution.
|