Artists' Reception: Friday, January 12, 5:30-7:30 p.m.
DR. MARGO MACHIDA PRESENTS LECTURE ASIAN AMERICAN ART, ACTIVISM, AND THE TURN TO TRANSNATIONALISM AT THE UNIVERSITY OF MEMPHIS
Date: November 10, 2017
Time: 5:30 PM (reception); 6 PM (lecture)
Location: University of Memphis, Art and Communication Building, Room 310
The Department of Art presents a lecture by renowned art historian, curator, cultural critic, and artist Dr. Margo Machida (Professor Emerita, University of Connecticut) titled Asian American Art, Activism, and the Turn to Transnationalism. Primarily drawing examples from her experience in New York and San Francisco, Machida will examine how Asian American frameworks for thinking about identity, identity politics, and arts activism shifted between the 1960s and 1990s—and how the convergence of domestic activism, accelerating migration, and transnational circulation shaped emergent artistic, critical and curatorial practices. As this talk demonstrates, activism encompassed a wide range of critical and expressive interventions that proceeded in different realms of civic engagement and collective action simultaneously—in political protest movements, in community arts groups, in artist collectives, in the academy, and in the art world.
Dr. Margo Machida is Professor Emerita of Art History and Asian American Studies at the University of Connecticut. Born and raised in Hawai'i, she is a scholar, independent curator, and cultural critic specializing in Asian American art and visual culture. Her most recent book, Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary (Duke University Press, 2009) received the Cultural Studies Book Award from the Association for Asian American Studies. She is co-editor of the volume Fresh Talk/Daring Gazes: Conversations on Asian American Art (University of California Press, 2003). Dr. Machida is an Associate Editor for the Asian Diasporic Visual Cultures and the Americas journal (Brill). Recent publications include: "Trans-Pacific Sitings: The Roving Imagery of Lynne Yamamoto" (Third Text, Spring 2014); "Devouring Hawai'i: Food, Consumption, and Contemporary Art" in Eating Asian America: A Food Studies Reader (New York University Press, 2013); and "Convergent Conversations – The Nexus of Asian American Art" in A Companion to Asian Art and Architecture (Wiley-Blackwell, 2011).
Dr. Machida has received numerous grants and fellowships including support from the Smithsonian Institution, Rockefeller Foundation, and National Endowment for the Humanities. She is co-organizer of the Diasporic Asian Art Network (DAAN) and the East Coast Asian American Art Project (ECAAAP), and a founding member of the International Network for Diasporic Asian Art Research (INDAAR). In 2009, she received the Lifetime Achievement Award from the national Women's Caucus for Art.
GREELY MYATT, UNIVERSITY OF MEMPHIS SCULPTURE PROFESSOR, PRESENTS AN ARTIST TALK IN CONJUNCTION WITH HIS DAVID LUSK EXHIBITION " MAKING MARKS"
Join David Lusk Gallery in Memphis, TN next Saturday, 16 September at 11:00 AM to hear Greely Myatt discuss his current show Making Marks.
In an era of total connection, advancing technologies with constant chatter, conversation has an unavoidable presence. Myatt's exclamation points (in wood, tar, air filters, aluminum, neon, steel, etc.) become objects too prominent to miss.
Myatt states, "I want the work to be accessible on numerous levels. I attempt that through the selection of materials, treatment of form, use of subject matter and the method of presentation."
97 Tillman - Memphis - 901.767.3800 - davidluskgallery.com
Virginia solomon, University of Memphis Art history professor,publishes essay in e-flux Journal reader series
It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other.
What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide.
Since 2009, need and care and desire and admiration – and indeed, love – have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors.
Join us on Thursday, September 14 at 7pm to celebrate these inquiries with the New York launch of What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It, the eleventh title in the e-flux journal reader series with Sternberg Press—featuring contributions by Paul Chan, Keti Chukhrov, Cluster, Antke Engel, Hu Fang, Brian Kuan Wood, Lee Mackinnon, Chus Martínez, Tavi Meraud, Fred Moten and Stefano Harney, Elizabeth A. Povinelli and Kim Turcot DiFruscia, Paul B. Preciado, Martha Rosler, Virginia Solomon, Jalal Toufic, Jan Verwoert, and Slavoj Žižek.
UofM’s Egyptian Institute, in co-operation with the Tennessee Chapter of the American Research Center in Egypt, will Host Sept. 28th Lecture
“Sealings, Sherds, and Figurines: Reconstructing Settlement in the Ancient Egyptian Precinct of Bat”
The Institute of Egyptian Art & Archaeology, in co-operation with the Tennessee chapter of the American Research Center in Egypt, will host the first annual IEAA Alumni Lecture on Thursday, Sept. 28, in the University Center, room 340B. Dr. Jane A. Hill, of Rowan University, will present at 7:00 p.m. A reception will precede the lecture, at 6:15 p.m. Both events are free and open to the public. Pay parking is available in the Innovation Garage (Lot 40), located next to the Fogelman Executive Center.
Jane A. Hill is a professor in anthropology at Rowan University, since 2012, and co-curator of the Museum of Anthropology at Rowan University (MARU). Dr. Hill received her B.A. in Journalism at the University of Mississippi. After working as a journalist, she returned to graduate school at the University of Memphis where she earned her M.A. in Anthropology in 1999, studying Pre-Columbian Mississippian cultures, followed by a second M.A. in Art History and Egyptology from the Institute of Egyptian Art and Archaeology at the University of Memphis in 2001. Dr. Hill completed her Ph.D. at the University of Pennsylvania in 2010. Her research interests include the development of writing in ancient Egypt's Pre-Dynastic and Early Dynastic periods and how it was used as an administrative and symbolic tool. She has worked at numerous sites in Egypt, including Giza, Abydos, and Saqqara, and el-Amra.
Dr. Hill will present on the results of her archaeological work at the Pre-Dynastic cemetery site of el-Amra, in the Upper Egyptian precinct known in antiquity as Bat. Her research has revealed late Pre-Dynastic settlement and production areas in the low desert, near the main cemetery. Analysis of surface finds in these areas suggests that the settlement was a focal point for both interregional trade and cultic activity. Combined analysis of satellite imagery, magnetometry survey, and GIS data brings the functions of different areas of the settlement into focus and offers us the opportunity to reconstruct a late Pre-Dynastic cultic center.
For more information, email Dr. Joshua Roberson at firstname.lastname@example.org
MFA Graduate: Amelia Briggs at Red Arrow Gallery
we are not together yet
12 August - 3 September
OPENING Saturday 12 August, 6-9pm
TALK Thursday 24 August, 6:30pm
"In both drawings and paintings, Briggs notes the nature of the line work, their edges at once familiar and yet lurking at the edges of the indecipherable. They speak to ideas of identity formation and transformation, as notations locked in the moment of struggle to define themselves." -Megan Kelley in Nashville Arts Magazine
Congratulations to the following award winners:
Golden Mummies Exhibit
2nd Floor Hallway in ACB
Opening Reception, May 6th, 10:30 am - 12:00 pm
Amanda Tutor, art teacher in Bartlett and Oaks elementary, asked if someone could come out and speak to her 3rd graders about ancient Egypt. They are studying ancient Egypt and she had an art project for them on the same subject.
February 9th, Dana McKelvy went out and gave an "absolutely wonderful" presentation on ancient Egypt that really fired the teacher's and students' imaginations.
The students worked in groups over an extended period to create the six golden mummies (you'll know what I mean when you see them). Originally there were 7, but apparently a marauding group of kindergarteners damaged one of the pictures beyond repair. Who knew?
The fruits of this project are on display in the 2nd floor hallway in ACB. A reception for the families will be held in ACB on Saturday, May 6, 10:30 am – 12:00 pm. Light refreshments will be served.
The teacher (Amanda) did an informational panel that goes with the artwork – including QR codes which attach to brief animated videos – which might have some useful information for the posting.
NEDtalks at Ned R. McWherter Library
Join us at Ned R. McWherter Library for NEDtalks, a two-day short-form symposium. Speakers will share their recent research in short presentations designed to engage and entertain. Refreshments will be provided.
NEDtalks is presented in conjunction with Faculty Scholarship Week Exhibition. Please visit the McWherter Library rotunda to view additional scholarship from UofM faculty. The exhibition will be on display beginning at noon on Monday, April 17. Learn more here.
Catherine Knowles, BFA Graphic Design
Wins Gold at local and Silver ADDY
Catherine Knowles, BFA Graphic Design Student Wins Gold at local and Silver ADDY at the regional level which includes statewide competition including competitors from Alabama, Georgia, Louisiana, and Mississippi. Knowles design moves forward to compete at the national level!
The American Advertising Awards is the advertising industry's largest and most representative competition, attracting
more than 40,000 entries every year from local ad club competitions. The mission of
the American Advertising Awards competition is to recognize and reward the creative
spirit of excellence in the art of advertising. It is a three tiered creative competition
where winners receive gold and/or silver ADDY awards.
- From the AAF website.
My magazine ad campaign History Speaks Here won a Gold ADDY in the AAF Memphis (local club) competition. Gold awards automatically move on to the next tier of judging which for Tennessee is District 7. District 7 of the American Advertising Federation represents 20 affiliate advertising clubs and federations of the American Advertising Federation (AAF) in Alabama, Georgia, Louisiana, Mississippi and Tennessee. and it went on to District 7 judging and won a Silver ADDY award in that competition. Silver awards can be manually forwarded onto the national level for judging, and History Speaks Here is currently en route for a national award.
Recently, I was selected to present my art history research on an ancient Egyptian tomb (KV 57, The Royal Tomb of Horemhub) at NCUR on April 8. My research on the tomb had to do with the overwhelmingly incomplete state of the tomb that allowed the viewer to see the actual process of creating tomb decoration. Hence the title of my presentation, "The Art of Process." I found this concept to be especially attractive as an artist myself, and found it to be a method of connecting back with creative minds from ages ago.
Art Education Graduate & Undergraduate Students Teach at the Community Art Academy
The 2017 Community Art Academy celebration was held on April 5 in the gallery at the
Memphis Public Library. Graduate and Undergraduate art education majors taught art
lessons to participants during the spring semester. All completed projects are on
display for the month of April in the library's gallery.
For more information about art education please contact Dr. Bryna Bobick.
Messengers: An exploration of bird signs and omens
Darla Linerode-Henson & Lizi Beard-Ward
Opening Reception: Friday April 21, 2017 5:30-9pm
Gallery open Saturday, April 22 10:30am-4pm
Beth Edwards: encounters
April 9 - July 16, 2017
Memphis artist Beth Edwards approaches her varied subjects as a still life painter in the realist tradition. Her early works focused on vintage character toys, seen alone in retro environments, with nature assuming a minor role. Over time, the natural world became pronounced, as magnified floral subjects took center stage. For Edwards, these recent works celebrate nature but also serve as poetic meditations on the transience of life.
Artist Gallery Walk
2 p.m., Sunday, April 9
Reception following in the Richard and Roper Room Hosted by the Huntsville Museum Foundation Board.
Tennessee Historical Quarterly Richard Lou's Recovering Memphis: Conceptual iconoclasm of the Nathan Bedford Forrest Monument
By Jody Stokes-Casey
I am thrilled my essay "Richard Lou's ReCovering Memphis: Conceptual Iconoclasm of the Nathan Bedford Forrest Monument" is published in the Winter 2016 volume of Tennessee Historical Quarterly. This essay is an extension of a paper I wrote in my last semester of coursework at the University of Memphis while completing a Master of Art in art history.
The original paper was drafted as a final project for the course ARTH 7140 Graduate Problems: Renaissance Iconoclasm taught by Dr. Todd Richardson in the fall of 2013; a time when heated debates surrounded the renaming of parks in Memphis whose identities were overshadowed by Confederate soldiers namesakes. I was also taking an independent study with our Art Department chair, Richard Lou, whose performance and photography artwork surrounding the contested Nathan Bedford Forrest monument proved a fascinating way to explore the topic of iconoclasm in contemporary, local art. Dr. Earnestine Jenkins recommended I submit the paper to be published with the Tennessee Historical Quarterly. After an extended editing, researching, and writing session, the essay is published!
Read the essay here.
Artist creates work of art from closed Planned Parenthood signage
A provocative poster with the U.S. Capitol superimposed over a female's lower torso was among signs carried during the Women's March in Washington D.C., as well as marches in Milwaukee, Madison and elsewhere. Commissioned by activist Megan Holbrook, the "Tear Us Down, We Rise" poster was designed by local artist Niki Johnson and Christian Westphal. It was based on a work Johnson spent years creating — "Hills & Valleys" — as a response to the loss of reproductive rights and access to health care in Wisconsin.
When Johnson learned in 2013 that Wisconsin Planned Parenthood health care centers were closing due to defunding by Gov. Scott Walker and GOP legislators, she arranged to collect their signage. She gathered metal signs from six defunct health centers.
Read more here.
MFA THESIS EXHIBITION
DESMOND LEWIS: HEAVY-LADEN
March 17–31, 2017
Opening Reception: March 17, 5-7 pm (artist Gallery Talk, 6 pm)
Featuring the work of Desmond Lewis, the MFA thesis exhibition Heavy-Laden explores the relationship between the often-overlooked industrial contributions of African Americans in the construction of the United States over time and considers the metaphorical characteristics of the materials used.
The contribution of African American labor to industrial America is often hidden beneath the layers of racist ideologies that have propelled the United States to its superpower status. The work in the exhibition carves away at this pristine façade to expose the roughness and intricacies that the hands of African American labor had and still have in constructing the nation's infrastructure.
Lewis's work is driven by the interpersonal relationship he has with steel and concrete—a physicality and commitment echoed in his everyday experience living in the United States as an African American man. Comprised of carved concrete and forged and fabricated steel sculptures, the exhibition occupies the gallery but also includes a large-scale outdoor piece as well as public work in the Orange Mound community.
This exhibition is supported through the generosity of West Memphis Steel, Orange Mound Gallery, Razorback Concrete, Williams Equipment and Supply, MCR Safety, and Tennessee Sling Center.
"Who Do You Trust" art exhibit to be displayed at Luther College
Article by The Decorah Newspapers
"Who Do You Trust," an art exhibit featuring the work of Jed Jackson, will be on display from Feb. 3 to March 15 in Luther College's Preus Library. The exhibit is open to the public with no charge for admission.
This year's Paideia Texts and Issues theme, "Who Do You Trust," was developed by the Paideia Endowment Governing Board, the Religion department and the Visual and Performing Arts department. Drawing from a wide variety of texts from the arts, sciences and humanities, the series attempts to facilitate discussions of personal and institutional trust. Who or what are people predisposed to trust? Is trust a fundamental element of character, community or culture? What are the results of mistrust or betrayal?...
Crosstown Concourse co-founder named Communicator of the Year
Article by Memphis Business Journal
Todd Richardson, an associate professor at the University of Memphis, co-founder of Crosstown Arts and managing director of Crosstown Concourse, was selected as the Memphis Chapter of the Public Relations Society of America's (PRSA) 2016 Communicator of the Year.
Munch and Learn: Berthe Morisot, First Lady of Impressionism
January 25, 2017
Wednesdays, 12 pm to 1 pm
Dr. Pamela Gerrish Nunn, HohenbergChair of Excellence in Art History, University of Memphis.
This brown-bag lecture series features local artists, experts and the Dixon Gallery and Gardens staff sharing their expertise on a variety of topics. Free for members and students with ID. For more information go to Dixon Gallery and Gardens.
Art Education Alumni Juried Exhibition: "Tolerance through Art Education"
Submission Deadline February 27, 2017
The theme for the exhibition is "Tolerance through Art Education." Each alumnus must submit one recent work of art, and two students' works (one male and one female). The artwork must convey the idea of tolerance. Student work may or may not show a relationship to their Art Teacher's work. Please make sure the works of art submitted are ready to hang and are constructed to withstand being hung.
For more information/schedule and registration form download here.
Art Review: "Say What?" Greely Myatt at Sandler Hudson Gallery
Image caption (above): Michael Aurbach, Administrative Vision, 2013. Mixed media. Image courtesy of the artist.
Art is a form of communication. The visual language of pictures and symbols spans cultures and breaches the boundaries of speech. Viewers personify it by asking: What does it mean? What is the art saying? The sculptures in Greely Myatt's show, "Maybe I Can Paint Over That," at Sandler Hudson Gallery depict these articulations and audience-art conversations.
The symbols Myatt creates out of cut wood and bent steel are ubiquitous icons that have been used, in different iterations, for over 1,400 years. Thought and speech bubbles were in use as far back as 600 A.D. in Mesoamerican art, appearing in the form of scrolls streaming from the speaker's mouth. Over the years, these visual representations of speech have taken the form of scrolls, balloons, and bubbles in illuminated manuscripts in the Middle Ages, political cartoons during the Revolutionary War, the first-known newspaper comic cartoon Yellow Kid in the late 1800s and the golden age of comic books that followed in the decades after, then again when Pop artists adopted the visual language of comics. Myatt's free-floating speech and thought bubbles mimic a Pop art sensibility, but in a way that translates the symbol into the language of our current era, where it has been recast in technological correspondence and advertisements. Read full article.