God's Wife, God's Servant
The God's Wife of Amun  

by Mariam Ayad

Institute of Egyptian Art & Archaeology

Drawing on textual, iconographic and archaeological evidence, this book highlights a historically documented (but often ignored) instance, where five single women were elevated to a position of supreme religious authority. The women were Libyan and Nubian royal princesses who, consecutively, held the title of God's Wife of Amun during the Egyptian Twenty-third to Twenty sixth dynasties (c.754'525 BCE). At a time of weakened royal authority, rulers turned to their daughters to establish and further their authority. Unmarried, the princess would be dispatched from her father's distant political and administrative capital to Thebes, where she would reign supreme as a God's Wife of Amun.

While her title implied a marital union between the supreme solar deity Amun and a mortal woman, the God's Wife was actively involved in temple ritual, where she participated in rituals that asserted the king's territorial authority as well as Amun's universal power. As the head of the Theban theocracy, the God's Wife controlled one of the largest economic centers in Egypt: the vast temple estate at Karnak. Economic independence and religious authority spawned considerable political influence: a God's Wife became instrumental in securing the loyalty of the Theban nobility for her father, the king.


Tennessee Women
Their Lives and Times     

Edited by Sarah L. Wilkerson Freeman and                         Beverly Greene Bond

Department of History

Including suffragists, civil rights activists, and movers and shakers in politics and in the music industries of Nashville and Memphis, as well as many other notables, this collective portrait of Tennessee women offers new perspectives and insights into their dreams, their struggles, and their times. As rich, diverse, and wide-ranging as the topography of the state, this book will interest scholars, general readers, and students of southern history, women's history, and Tennessee history.

Tennessee Women: Their Lives and Times shifts the historical lens from the more traditional view of men's roles to place women and their experiences at center stage in the historical drama.The eighteen biographical essays, written by leading historians of women, illuminate the lives of familiar figures like reformer Frances Wright, blues woman Alberta Hunter, and the Grand Ole Opry's Minnie Pearl (Sarah Colley Cannon) and less-well known characters like the Cherokee Beloved Woman Nan-ye-hi (Nancy Ward), antebellum free black woman Milly Swan Price, and environmentalist Doris Bradshaw.


Memphis and the Paradox of Place
Globalization in the American South        

by Wanda Rushing

Department of Sociology

Celebrated as the home of the blues and the birthplace of rock and roll, Memphis, Tennessee, is where Elvis Presley, B. B. King, Johnny Cash, and other musical legends got their starts. It is also a place of conflict and tragedy--the site of Martin Luther King Jr.'s 1968 assassination--and a city typically marginalized by scholars and underestimated by its own residents. Using this iconic southern city as a case study, Wanda Rushing explores the significance of place in a globalizing age.

Challenging the view that globalization renders place generic or insignificant, Rushing argues that cultural and economic distinctiveness persists in part because of global processes, not in spite of them. Rushing weaves her analysis into stories about the history and global impact of blues music, the social and racial complexities of Cotton Carnival, and the global rise of FedEx, headquartered in Memphis. She portrays Memphis as a site of cultural creativity and global industry--a city whose traditions, complex past, and specific character have had an influence on culture worldwide.

Women, Violence and the Media
Readings in Feminist Criminology

by Drew Humphries

Chapter on Media Images of Wartime Sexual Violence: Ethnic Cleansing in Rwanda and the Former Yugoslavia

by Yaschica D. Williams

Department of Criminology and Criminal Justice

Through the lens of feminist criminology, this volume examines the complex interrelationship of women, violence, and media presentations. The book is divided into three sections. The first, "Gendering Constructions," lays the groundwork for the volume by examining the print media's presentation of gendered violence, female killers on Law and Order, African American women in Hollywood films, and women in media, crime, and violence textbooks. The second section, "Debating the Issues," explores aspects of femicide, including mass murder incidents, domestic violence in Bangladesh, and wartime sexual violence in reality and on television. The final section "Changing the Image," focuses on efforts to replace masculine assumptions with constructive approaches to imagining women. Designed for course adoption, Women, Violence, and the Media emphasizes the key themes and critical skills required for media literacy, and the volume offers guidelines for readers on conducting their own research.