Media Room
University of Memphis Photo

Facts at a Glance
Experts List/Speakers Bureau
University Logos
Key Administrators

University Events
Events Calendar
Athletics Calendar
Alumni Upcoming Events
Music Performance Calendar

Communications Services
303 Administration Building
Memphis, TN 38152
Phone: 901/678-2843
Fax: 901/678-3607
e-mail: prnews@memphis.edu

 

Jordan Eagles’ Installation BAR 1-9 on Display at U of M’s Fogelman Galleries

For release: January 31, 2014
For press information, contact Gabrielle Maxey, 901/678-2843

BAR 1-9, a monumental nine-panel, 32-foot-wide, 8-foot-tall installation by New York artist Jordan Eagles, is on display in the Martha and Robert Fogelman Galleries of Contemporary Art at the University of Memphis. The exhibit runs through Feb. 28.

The galleries are located in the Art and Communication Building, rooms 230 and 240.

This is Eagles' largest and most ambitious work to date.  BAR 1-9 was most recently exhibited at the Museum of Contemporary Religious Arts in St. Louis and will be traveling to Boston Center for the Arts in April.

Eagles began using animal blood as an artistic medium 15 years ago in response to a philosophical debate about life after death and the connection between body and spirit. Traditional red paint fell short of expressing the emotional vitality and energy that Eagles sought, so he ventured to local slaughterhouses. The works he created changed shade as the blood oxidized, causing Eagles to develop a technique of suspending, encasing and preserving the blood in Plexiglas and UV resin in a way that permanently retains the organic material’s natural colors, patterns and textures. His innovative technique challenges nature by preventing the works from decomposing. 

Eagles’ work both fascinates and challenges audiences. His use of blood evokes reflections on the physical and the spiritual, on the scientific and the mystical, on mortality and regeneration. The very processes by which Eagles prepares his medium reflects a ritualistic sensibility. He uses various mark-making methods, including layering the blood at different densities as well as heating, burning, and aging the blood. In some instances, decomposed blood is ground into dust and tossed into the works as a sign of passing and change. 

Eagles received his BA in fine arts/media studies from New York University’s Gallatin School for Individualized Studies in 1999. His work has been profiled in TimeThe New York TimesPBSFrame, ArtInfo and The Huffington Post. His exhibitions have been “Critics' Picks” in New York Magazine and most recently in Artforum for his recent solo exhibition at The Everson Museum of Art.

Eagles‘ work is found in numerous private and museum collections, including the Peabody Essex Museum, the Princeton University Art Museum, the University of Michigan Museum of Art, the Addison Gallery of American Art and the Everson Museum of Art. His work has been shown at venues including the University of Michigan Museum of Art, the Wadsworth Atheneum Museum of Art, the Elmhurst Art Museum, the Mobile Museum of Art, Trinity Museum at Trinity Church on Wall Street, the International Museum of Surgical Science and The Everson Museum of Art. 

Text Only | Print | Got a Question? Ask TOM | Contact Us | Memphis, TN 38152 | 901/678-2000 | Copyright 2014 University of Memphis | Important Notice | Last Updated: 
Last Updated: 2/10/14