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A
"Promise" Worth Keeping
For press information, contact Jason Jones, PR Director, Sossaman
+ Associates
901/526-6220
Dr.
Martin Luther King, Jr. - whose passionate, powerful and eloquent
resonance moved people all over the world - was last heard
in Memphis, Tennessee in 1968. Decades later, it's there that
his voice will soar again.
Dr.
John Baur - a University of Memphis professor and composer
- has completed a contemporary opera, it has been announced,
that will not only explore an intimate and oft unseen side
of Dr. King as he struggled through the movement that would
claim his life, but celebrate him and tell his compelling
story to generations 36 years removed from his death on the
balcony of the Lorraine Motel (now the National Civil Rights
Museum). The production, believed to be the first of its kind,
will be produced by and performed at the Germantown Performing
Arts Centre, where it will make its world premier on October
22. Nationally-renowned baritone Nmon Ford will portray Dr.
King.
"Dr.
King was an amazing man. But he also had great doubts about
his abilities
... and he knew he'd eventually be killed. Many people didn't
know that he battled depression - even days before being awarded
the Nobel Peace Prize. But, he battled on. The cause came
first," said Baur. "I wanted to, with this opera,
present him first as a human being. I wanted to show his frailty
and his faults as well as his great ability to move the masses
- and seeing this more intimate side of him brings a stark
realization of just how amazing what he did really was. He
moved people. And I think this opera will do the same."
Much
like the man he was writing about, however, Baur wasn't sure
his race would allow him to realize his dream. "I was
worried about how the black community would respond to a white
man telling this story," he professed. "It is, after
all, an enormously complex one to tell - one which includes
powerful visions of the martyred hero of perhaps the most
important social revolution of the twentieth century etched
into our collective conscience. It was not a topic to be taken
lightly or without an immense amount of reflection."
Keeping
that in mind, Baur set out seeking counsel, and perhaps, a
blessing of sorts. The professor met with former civil rights
activist Reverend Billy Kyles, who was just feet from King
when James Earl Ray's bullet struck him down, to get a feel
for how the African-American community may react. He left
convinced that Baur was the right person for the job. "His
heart was in the right place, no doubt about it," said
Kyles. "Dr. King would have been proud that a white man
wanted to tell his story and help keep his dream alive. It
tells you that he touched people. That he made a difference.
The black community, I believe, would say the same thing."
Other African-American leaders, including Benjamin Hooks -
former leader of the NAACP, are also on board. "A society
that consists of people like John (Baur) is, after all, what
Dr. King dreamt of. One that doesn't see color. One whose
people want to help heal their communities and their country,"
said Hooks. "It's a special project, indeed."
The
University of Memphis agreed. Once presented to them, the
school decided to do whatever necessary to get the production
staged. "When 'The Promise' was presented to us, our
immediate reaction was 'what can we do to help?" said
U of M President Shirley Raines. "The university is very
pleased to have been able to help bring this to life. The
people at this university and in this city are capable of
world-class things. John Baur and 'The Promise' are just more
examples of that talent."
Baur
says King's powerful words lent themselves easily to melody
and on recordings of his speeches, the fallen leader often
sounded as though he were singing, with his booming voice
hitting notes and keeping time as his passion built - just
one reason opera was the perfect vehicle for telling the story.
The others? "All of the elements for a great musical
drama are there - emotion, personal conflict, intense passion,
social issues, tragedy and triumph. And, people may not know
this, but Coretta (Scott King, King's widow) was training
to be an opera singer when she met and fell in love with Martin.
She left that behind to march through life with him. So, this
seemed like the appropriate way, and Memphis the appropriate
place, to pick his message up and carry it on."
For
more information or to purchase tickets, please visit http://www.baurthepromise.com/.
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