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3001. Arts in Education. (3). Integrates art, music, and drama with other subject areas to stimulate creativity and build positive attitudes.
Students who wish to apply for credit for experiential learning may obtain guidelines from the Dean of the College of Communication and Fine Arts. Fees for this credit are listed in Fees and Charges.
1900. Introductory Level Experiential Learning in (descriptive title).
2900. Intermediate Level Experiential Learning in (descriptive title).
3900. Advanced Level Experiential Learning in (descriptive title).
Transfer students seeking advanced standing in art are required to submit a portfolio.
In addition to specific prerequisites, junior standing or permission of the instructor is a prerequisite for all 3000 and 4000 level courses in the Department of Art.
1101. Introduction to Art. (3). Fundamental principles of artistic expression as basis for understanding Western and non-Western traditions in the visual arts. [G].
1201. Basic Design. (3). Basic design factors of line, value, texture, form, and space in problem solving approach to stimulate student's visual perception and to encourage inventive manipulation of tools, materials, and techniques. Development of vocabulary for professional practice encouraged through lectures, discussions, and class critique.
1204. Color Fundamentals. (3). Light and color in relation to form. Mixing of colors and notation of hue, value, chroma relationships. Interaction of color; color harmony, psychology, and symbolism in a variety of mediums. PREREQUISITE: ART 1201.
1210. Two-Dimensional Design. (3). Elements and principles of visual design studies through a problem-solving approach. Encourages perceptual growth through the use of varied tools, materials, and techniques. NOTE: Students may not receive credit for both ART 1210 and 2201.
1215. Three-Dimensional Design. (3). Exploration of design elements and principles as applied to development of three-dimensional construction. Imaginative and fundamental use of materials in visual problem solving. NOTE: ART 1215 may be used for the purpose of improving a grade in ART 2202. PREREQUISITE: ART 1210.
1233. Introduction to Interior Design. (3). Processes of interior design and various aspects and considerations involved in practice of both residential and commercial design.
1311. Beginning Drawing. (3). Introduction to materials and techniques of basic drawing. Study of still life and nature to develop perception of line, value, space, and volume. Use of contour and gesture.
1314. Figure Structure. (3). Use of basic drawing materials and techniques. Analysis and rendering of the human form, including work from skeleton and from female or male models; study of anatomy and proportion. Emphasis on contour, gesture, value, and volume. PREREQUISITE: ART 1311.
2101. World Art I. (3). Development of visual arts from prehistoric times through medieval period, their use by man as social, cultural, and educational force; brief survey of art of Far East.
2102. World Art II. (3). Continues (but does not pre-suppose) World Art I; development of visual arts from medieval period through Renaissance to present.
2201. Design. (3). Continued study of the elements of design, using variety of materials and methods. NOTE: Students may not receive credit for both ART 2201 and 1210. PREREQUISITES: ART 1201 and 1204, or permission of instructor.
2213. Typographic Design I. (3). Terminology, technology, and design aspects of typography for effective communication. PREREQUISITE: ART 2201 or permission of instructor.
2221. Graphic Production and Processes I. (3). Introduction to materials and processes of graphic design with attention to manual skills necessary to prepare comprehensive layouts and camera-ready art. PREREQUISITE: ART 1204, 1314 or permission of instructor.
2233. Interior Drafting Practices. (3). Introduction to equipment, standards and requirements of interior design drafting practices through lecture and space planning and production of working drawings.
2234. Interior Color and Composition. (3). Application of color theory and design-composition to specific requirements of interior design practice, through lectures and studio assignments. PREREQUISITES: ART 1233, 2233; or permission of instructor.
2238. CADD for Interior Design. (3). Introduction to use of microcomputer software in production of interior design drawings and documents. Exploration of computer applications in design development and presentation. PREREQUISITE: ART 2233.
2313. Drawing and Composition. (3). Problems in visual communication; emphasis on compositional and technical considerations. Analytical and objective investigations of organizational problems. Use of varied graphic media and methods. PREREQUISITES: ART 1311 and 1314, or permission of instructor.
2314. Drawing and Concept. (3). Problems in visual communication; emphasis on personal expression. Conceptual and subjective investigation of individual problem-solving strategies. Use of varied graphic media and methods. PREREQUISITE: ART 2313 or permission of instructor.
2331. Painting I. (3). (3331). Preliminary course in theory and practice of oil painting.
2351. Introduction to Printmaking. (3). Printmaking processes: relief, intaglio, planography, and stencil, focusing on relief and screenprinting.
2511 . Sculpture I. (3). Introduction to basic materials and techniques of sculpture.
2523. Ceramics I. (3). (3523). Introduction to clay and ceramic process. Emphasis on thoughtful, purposeful exploration of medium, regarding both pottery vessel and nonvessel object.
2701. Photography I. (3). Basic techniques and processes of black and white still photography. History and aesthetics of photography as fine art. Emphasis on personalized perception and seeing photographically. NOTE: Prospective students are advised to obtain a list of course expenses from the Art Department before registering.
2702. Photography II. (3). Exploration of black and white still photography as means to personal expressive statement and self-discovery. Assignments emphasize a broad range of contemporary photographic prectice.. PREREQUISITE: ART 2701 or permission of instructor.
3103. History of Furniture and Interiors I. (3). Emphasis on Renaissance, Baroque, Rococo and Neo-Classical periods.
3104. History of Furniture and Interiors II. (3).19th and 20th century survey; emphasis on development of period revivals, Art Nouveau, Art Deco, International Style and other innovations in Europe and America.
3204. Housing and Equipment. (3). (HMEC 4203, 3204). (Same as CSED 3204). Socioeconomics and design aspects of housing; kitchen planning principles: selection, use, and care of household equipment. PREREQUISITE: CSED 2104.
3213. Typographic Design II. (3). Advanced problems involving visual organization and typography as an expressive design element. PREREQUISITE: ART 2213 or permission of instructor.
3221. Visual Thinking. (3). Fundamental methods in generating ideas for effective visual communication. PREREQUISITE: ART 2213 or permission of instructor.
3222. Graphic Design Methodology. (3). Emphasis on intellectual processes underlying applied design. PREREQUISITE: ART 3221 or permission of instructor.
3225. Computer Graphics. (3). Hands-on training in use of graphics hardware and software in design and production of commercial graphics, illustrations and animation.
3227. Graphic Production and Processes II. (3) (2222). Methods of preparing art for reproduction with emphasis on Macintosh electronic pre-press. PREREQUISITES: ART 3213, 3221.
3233. Components of Interiors. (3). Technical aspects of surface and structural materials of interior design in relation to building codes and public health, safety and welfare. PREREQUISITE: ART 1233 or permission of instructor.
3234. Interior Design Studio I. (3). Application of material covered in basic interior design courses to theoretical designs for complete environments. Design development, production of working and presentation drawings and specifications studied through lectures and studio projects. PREREQUISITES: ART 2233, 2234, 3233, 3235, 3236, 3237, 3312; or permission of instructor.
3235. Commercial Lighting Design. (3). Comprehensive study of lighting sources and principles, color and applications, including circuiting, switching, dimming systems, task-ambient lighting and industry resources. Zonal cavity method and point source calculations applied through lectures and studio assignments. PREREQUISITES: ART 2233, 2234, 3233; or permission of instructor. [C].
3236. Rendering for Interiors. (3). Comparative application of variety of techniques using black-white and color mediums for interior perspective illustration. Lectures and studio assignments in line, texture, shade-shadow, volume, color and free-hand drawing. PREREQUISITES: ART 2233, 2234, 3312; or permission of instructor.
3237. Interior Construction Drafting. (3). Principles of building construction and their application through development of working drawings for both residential and commercial projects. Building methods and materials studied through lectures and studio assignments. PREREQUISITE: ART 2233, 3233, or permission of instructor.
3238. Interior Detail Drawing. (3). Design and drawing of interior millwork and casework. Production and specification for construction studied through lectures and studio assignments. PREREQUISITE: ART 3237 or permission of instructor.
3312. Interior/Perspective Drawing. (3). Various perspective systems applied to one- and two-point drawing techniques for interior design. PREREQUISITES: ART 1311.
3332. Painting II. (3). Continuation of ART 2331; attention to essentials of still-life, landscape, and portrait painting.
3351. Intaglio Printmaking. (3). In-depth study of metal plate intaglio printmaking processes: engraving, drypoint, etching, aquatint. Introduction to color intaglio and mixed media including relief printing. Emphasizes personal expression. PREREQUISITE: ART 2351 or permission of instructor.
3352. Lithography (3). In-depth study of stone lithography. Introduction to aluminum plate litho, color litho, and mixed media color printing. Emphasizes personal expression. PREREQUISITE: ART 2351 or permission of instructor.
3411. Art for Children. (3). Introduction to skills and methods for instructional art programs in studio and art appreciation activities; emphasis on materials and ideas for children's art expression and development.
3431. Multicultural Art and Design. (3). Studio activities combining visual art traditions of world cultures with innovative expression. Includes emphasis on non-European sources for contemporary art works. PREREQUISITES: ART 2101, 2102, 2313, or permission of instructor.
3511. Sculpture II. (3). Problems of sculptural form as expressed in metal, wood, and related materials.
3512. Sculpture III. (3). Continuation of ART 3511; emphasis on techniques.
3524. Ceramics II. (3). Some consideration to fundamental historical and aesthetic aspects peculiar to ceramics as a studio medium. PREREQUISITE: ART 2523 or permission of instructor.
3701. Photography III. (3). Continuation of ART 2702. Closer examination of several key photographers' work as point of departure for student work. How student work relates to traditions. PREREQUISITE: ART 2702 or permission of instructor.
4010-19-6010-19. Special Topics in Studio Art. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4020-29-6020-29. Special Topics In Art Education. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4030-39-6030-39. Special Topics in Art History. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4111-6111. Art and Archaeology of Egypt. (3). Predynastic to Late Period. PREREQUISITE: ART 2101 or permission of instructor. [W].
4112-6112. Egyptian Art and Archaeology in the Old and Middle Kingdom. (3). Art, architecture, and archaeology, 1500 B.C.-642 A.D. PREREQUISITE: ART 2101 or permission of instructor.
4113-6113. Egyptian Art and Archaeology in the New Kingdom and Late Period. (3). Art, architecture, and archaeology, 1500-332 B.C. PREREQUISITE: ART 2101 or permission of instructor.
4121-6121. Ancient Art of the Near East. (3). Architecture, sculpture, painting, and the minor arts in Mesopotamia, Anatolia, and Syria-Palestine. PREREQUISITE: ART 2101 or permission of instructor.
4123-6123. Greek Art. (3). Architecture, sculpture and painting from the Bronze Age to the end of the Hellenistic period.
4124-6124. Roman Art. (3). Architecture, sculpture and painting from Etruscan Rome to the fall of the Empire.
4125-6125. Art and Archaeology of Pompeii. (3). Pompeii's excavations, art, artifacts and architecture in reconstructing ancient Roman daily life. [W].
4129. Studies In Ancient and Medieval Architecture. (3). Selected topics comparing the architecture of ancient Egypt, the Classical world, and Medieval Europe. PREREQUISITE: ART 2101. [C].
4130-6130. Art of the Medieval World. (3). Architecture, sculpture, and painting, including manuscript illumination of the middle ages. Includes Western European and Byzantine traditions. PREREQUISITE: ART 2101 of permission of instructor.
4131-6131. Art of the Early Middle Ages. (3). Advanced study of architecture, sculpture and painting of the early medieval period. PREREQUlSlTE: ART 2101 or permission of instructor.
4134-6134. Art of High Middle Ages (3). Advanced study of architecture, sculpture and painting, including manuscript illumination, ivories and stained glass in the Romanesque and Gothic periods. PREREQUISITE: ART 2101 or permission of instructor.
4141-6141. Art of the Early Renaissance in Italy. (3). Architecture, sculpture and painting of Italy, 1300-1510. PREREQUISITE: ART 2101 or permission of instructor.
4142-6142. Northern Renaissance Art. (3). Fifteenth Century Art in Northern Europe; emphasis on panel painting, manuscript illumination and printmaking. PREREQUISITE: ART 2101 or permission of instructor.
4143-6143. Art of the High Renaissance in Italy. (3). Sixteenth Century Art in Italy; highlights works of Michelangelo, Raphael, Titian, and the Mannerists. PREREQUISITE: ART 2102 or permission of instructor. [W].
4146-6146. Baroque Art. (3). Architecture, sculpture, and painting produced in Europe during Seventeenth Century. PREREQUISITE: ART 2102 or permission of instructor.
4151-6151. Nineteenth Century Art. (3). Art movements of Nineteenth Century from Neo-Classicism to Impressionism. PREREQUISITE: ART 2102 or permission of instructor.
4154-6154. Modern Art. (3). Major developments in European painting and sculpture from 1890's until World War II; includes Fauvism, Cubism, and Surrealism. PREREQUISITE: ART 2102 or permission of instructor.
4156-6156. Art Since 1945. (3). Major art movements and contemporary schools of criticism from World War II to present. Major trends examined include Abstract Expressionism, Pop Art and Earth Art. PREREQUISITE: ART 2102 or permission of instructor.
4158-6158. Modern Architecture. (3). Survey of 19th century styles, 20th century masters, and contemporary developments in architecture; includes historic preservation.
4160-6160. Architecture and Nature. (3). Survey and analysis of spaces in a variety of cultures from world history where the relationship between the natural and the built environment is healthy.
4162-6162. Latin American Art. (3). Hispanic arts of the Americas from 1500 to the present in relation to Iberian and Indian traditions.
4163-6163. Pre-Columbian Art. (3). Ancient art of Mexico, Central America and South America from about 1000 B. C. to European contact.
4166-6166. Art of the United States. (3). (4167, 4168). Survey of American painting, sculpture and art theory from colonial period to 1945. PREREQUISITE: ART 2102 or permission of instructor.
4181-6181. Traditional Arts of Africa, Oceania and North America. (3). Survey of the arts created by native Americans of U.S. and Canada, peoples of sub-Saharan Africa and Pacific islands, examined in relation to their cultural context and heritage.
4195. Proseminar In Art History. (3). Investigation of selected topics in art history with emphasis on development of research techniques and methodologies. Oral presentation and writing of thesis paper. PREREQUISITE: senior status with 18 semester hours in art history [I].
4211-6211. Writing and the Design Process. (3). (3211). Focus on synthesis of verbal and visual problem-solving methods and the use of writing as integral phase of design process. PREREQUISITE: ART 2213 or permission of instructor. [W].
4221-6221. Graphic Design for Print Communications. (3). Practical problems in areas of publication, information, corporate and promotional design. PREREQUISITE: ART 3222 or permission of instructor.
4222-6222. Graphic Design for Video Communications. (3). Study and execution of graphics for television, incorporating computer animation and design for the video environment. PREREQUISITE: ART 4221 or permission of instructor.
4223-6223. Specialized Studies In Graphic Design. (3). Advanced instruction in either illustration, typography and publication design, 3-dimensional design, corporate and promotional design, or electronic imaging. May be repeated to a maximum of 12 hours when topic varies. PREREQUISITE: ART 3213, 3222; or permission of instructor.
4224-6224. History of Graphic Design. (3). Cultural, theoretical, and stylistic aspects of major movements in the field of graphic design in Europe and America from Industrial Revolution to present.
4232-6232. Visual Design Business Practices. (3). Application of principles, procedures, and business practices of visual design. PREREQUISITE: junior standing or permission of instructor.
4233-6233. Design Practice Studio. (3). Work under faculty supervision on projects for institutional and corporate clients; assist in developing publications, exhibits, signage and other graphics, and participate in professional design process from project inception to completion. May be repeated to a maximum of 12 hours with approval of advisor, but not for the purpose of improving a grade previously earned. PREREQUISITE: senior standing. Admission by portfolio review only.
4235. Graphic Design Portfolio Seminar. (3). Methodology and techniques in graphic design applied to an extended visual communication project. Written proposal, preparation of comprehensive layouts and oral/visual presentation of project. PREREQUISITES: art major with concentration in graphic design and senior status. [I].
4237-6237. Interior Design Studio II. (3). Comprehensive assignment in commercial design including design development, space planning, building code requirements, and construction and specification documentation for barrier-free design studied through lectures and design assignments. PREREQUISITES: ART 3234 or permission of instructor.
4238-6238. Interior Design Studio III. (3). Further advanced studio assignments in commercial interior design studied through lectures and design projects. PREREQUISITES: ART 3238, 4237; or permission of instructor.
4239-6239. Interior Design Business Practices. (3). History and organization of interior design profession, study of business methods and practices, and formulation of resume and design portfolio. PREREQUISITE: ART 3234 or permission of instructor.
4240-6240. Interior Design Internship. (3). Supervised apprenticeship in interior design industry. Placement requires approval of Interior Design faculty. PREREQUISITES: ART 3234 and permission of instructor.
4241-6241. Nineteenth Century Furniture Analysis. (3).Identification of antique American furniture by period and style. Research involves actual furniture in a house museum collection.
4251. Interior Design Senior Project. (3). Addresses creative, professional, technical, and historical issues involved in problem chosen and defined by student. Culminates in formal presentation of unique solution to problem. PREREQUISITE: ART 4238 or permission of instruction.
4321-6321. Drawing and Painting I. (3). Advanced drawing and painting methods; emphasis on transparent watercolor. PREREQUISITE: ART 2313 or permission of instructor.
4322-6322. Drawing and Painting II. (3). Continuation of ART 4321; attention to various mixed media. PREREQUISITES: ART 2313, 4321; or permission of instructor.
4331-6331. Painting III. (3). Advanced problems in oil painting, presupposing that student has mastered basic techniques and is ready for a more experimental approach to subject. PREREQUISITES: ART 2331, 3332; or permission of instructor.
4332-6332. Painting IV. (3). Continuation of ART 4331; emphasis on development of personal style. PREREQUISITES: ART 2331, 3332, 4331; or permission of instructor.
4341-6341. Illustration. (3). Survey of many areas requiring services of illustrator and including preparation of book, magazine, advertising, and television illustrations.
4351-6351. Advanced Printmaking I. (3). Specialization in one or two printmaking media with emphasis on development of personal imagery and technical skills. PREREQUISITES: ART 2351, 3351 or 3352; or permission of instructor.
4352-6352. Advanced Printmaking II. (3). Advanced work in one or two printmaking media with continued development of personal imagery and advanced technical skills. PREREQUISITES: ART 2351, 3351 or 3352, and 4351; or permission of instructor.
4353-6353. Computer Imaging in Printmaking/Photography I. (3). Use of digital imaging in one of several output options including: lithography, screenprinting, etching, silver and non-silver photographic processes. Emphasis on personal expression PREREQUISITES: A computer course and either of the following: ART 2701, 2351; or permission of instructor.
4354-6354. Computer Imaging in Printmaking/Photography II. (1-3). Advanced project using digital imaging. Proposal for study to be approved in advance. Emphasis on personal expression. PREREQUISITE: 4353 or 6353; or permission of instructor. May be repeated to a maximum of 6 hours.
4380-6380. Museums in Society. (3). (Same as ANTH 4380). History of museums and how they function in society. Development of major collections and role of museums as centers of research and education and interpreters of social values.
4381-6381. Art Curatorial Techniques. (3). Curatorial responsibilities and functions: receiving and shipping methods, registration, physical and environmental security, research, conservation, and study of art market and publications.
4382-6382. Professional Practices in Museums. (3). (Same as ANTH 4382). Basic aspects of museum organization. Examines roles of directors and trustees, responsibilities of professional staff including registrars and curators, and scope of museum education programs. Features presentations by museum professionals. [W].
4384-6384. Museum Internship. (3-6). Approved internship with cooperating museum or gallery, emphasizing curatorial, program and/or operational duties. PREREQUISITES: permission of the instructor and one of the following or the equivalent: ART 4380, 4381 or 4382.
4410-6410. Art Education Independent Study. (1-3). Theoretical and pragmatic ideas relevant to teaching of art. May be repeated to a maximum of 6 hours. PREREQUISITES: ART 3411, 3431; or permission of instructor.
4511-6511. Sculpture IV. (3). Advanced work in various sculptural media. PREREQUISITES: ART 2511, 3511, 3512; or permission of instructor.
4512-6512. Sculpture V. (3). Continuation of 4511; emphasis on personal expression. PREREQUISITE: ART 4511 or permission of instructor.
4521-6521. Ceramics III. (3). Advanced studies in ceramic process and technique. Concentration on development of personal attitudes toward work. PREREQUISITE: ART 3524 or permission of instructor.
4522-6522. Ceramics IV. (3). Technical competence and the production of ceramic objects reflective of genuinely personal involvement. PREREQUISITE: ART 4521 or permission of instructor.
4610. Senior Studio. (3). Studio production and associated research that interrelates historical, technical, and aesthetic components of visual art. Contract for study project to be approved by instructor and faculty committee in semester prior to registration. PREREQUISITES: Art major, senior status with concentration in Art Education; Ceramics/Painting/Printmaking/Sculpture; or Photography. [I].
4611. Senior Problems. (3). Original research in student's area of concentration, extent of the project to be approved by art faculty.
4621-6621. Workshop In Art I. (1-3). Specific art problems as they apply to individual student; emphasis on basic art concepts and creative experience. PREREQUISITE: permission of instructor.
4622-6622. Workshop in Art II. (1-3). Continuation of ART 4621, providing study of problems appropriate to need of individual student. PREREQUISITE: permission of instructor.
4641-6641. Study and Travel In Art (3 or 6). Travel to important art areas of world and specialized study under direction of faculty member of Department of Art.
4650-6650. Professional Art Practices. (3). Development of skills needed for success as practicing professional artist, including portfolio preparation and presentation, marketing, contracts, copyrights, and alternative art careers.
4701-6701. Color Photography. (3). Exploration of photographic perception in color. Survey of history and aesthetics of color photography. Techniques of color photography; emphasis on color printing. PREREQUISITE: ART 2702, junior standing, or permission of instructor.
4702-6702. Photographic Materials and Processes. (3). Advanced technical course exploring creative potential in various contemporary photography materials, processes and techniques. Emphasis on aesthetic application of those materials and techniques. PREREQUISITE: ART 2702 or permission of instructor.
4703-6703. Alternative Photographic Processes. (3). (3702). Exploration of creative potential of archaic and non-traditional photographic processes such as Cyanotype, Gum Bichromate and Kwik-Print. PREREQUISITE: ART 2702 or permission of instructor.
4704-6704. Photographic Llghting. (3). Advanced theory, technique, and equipment used by professional photographers for black and white and color. Emphasis on aesthetic application in actual practice. PREREQUISITE: ART 2702 or permission of instructor.
4711. Advanced Photography Seminar. (1-3). Creation of a unified body of photographic work based on subject matter or formal problem. Contract for study project to be approved by instructor in semester prior to registration. May be repeated to a maximum of 6 hours. PREREQUISITE: ART 3701 or permission of instructor.
4712. Photography Portfolio Seminar. (1-3). Creation and production of bound book or portfolio containing student's photographs and written introduction. Contract for study project to be approved by instructor in semester prior to registration. May be repeated 6 hours. PREREQUISITE: ART 4711 or permission of instructor.
4721-6721. History of Photography I. (3). Historical and critical issues from photography's prehistory to World War I.
4722-6722. History of Photography II. (3).Historical and critical issues in photography from World War I to the present.
The Department of Communication offers a B.A. degree in Communication with concentrations in Broadcast and Electronic Media, Communication, and Film and Video Production.
NOTE: In addition to specific prerequisites, junior standing or permission of the department chair is a prerequisite for all 3000- and 4000-level courses in the Department of Communication.
1211. Voice and Articulation. (3). Principles of effective voice usage. Emphasis on improving voice characteristics and diction.
1311. Public Speaking. (3). Principles of ethical and effective public speaking; practice in construction and delivery of original speeches in presence of audience.
1780. Introduction to Human Communication. (3). Principles and processes underlying all human communication. Study of communication models, communication purposes and breakdowns, and variables related to interpersonal, small group, intercultural, and public communication.
1781. Introduction to the Rhetoric of Mass Media. (3). Principles, values, forms, and effects of persuasive public communication. Consideration of rhetorical styles and effects in speeches, debates, documentaries, and dramatic and entertainment forms.
1851. Introduction to Film. (3). Comprehensive study of the forms, functions, and history of film art. Emphasis on developing student's critical skills and aesthetic appreciation through analysis of complex formal, social, historical, and cultural dimensions of the art of film. [G].
2381. Oral Communication. (3). Principles and practice of basic oral communication forms with emphasis on listening and critical understanding related to contemporary mass media, especially television and film, and to public information and decision-making. [G].
3321. Argumentation and Debate. (3). Theory of argumentation with emphasis on developing skills in analysis, reasoning, and use of evidence in various debate situations and understanding role of debate in public decision-making. PREREQUISITE: COMM 2381.
3322. Theories of Persuasion. (3). Principles underlying any communication designed to influence attitudes or behavior. Includes approaches to motivation, perception, message structure, attention, reasoning, audience analysis, persuasibility, and attitude change. Items for analysis drawn from speeches, advertising, radio, television and film.
3330. Methods of Communication Analysis. (3). Examination and application of qualitative and quantitative methods of criticism and research. [C]. PREREQUISITE: COMM 1780 or JOUR 1700.
3341. Discussion. (3). Study and practice of principles and techniques of discussion, dealing with current problems of wide interest and significance.
3342. Communication and Leadership. (3). Relationship between communication variables and leadership styles and effectiveness in various organizational and group settings.
3361. African-American Rhetoric. (3). Speeches and rhetoric of African-Americans. Emphasis on spokespersons such as Walker, Turner, Douglass, Washington, DuBois, Malcolm X, King, Davis, and Jackson.
3371. Freedom and Responsibility of Speech. (3). Development of freedom of speech as Western value and attendant problems of ethical practice, limitations, and responsibility.
3800. Elements of Broadcasting and Electronic Media. (3). (3881). Survey of broadcast and electronic media dealing with technology, history, programming, economics, advertising, and regulation.
3801. TV Production Techniques for Journalists. (4). For majors in the broadcast journalism sequence; basic principles and techniques of video production. Production exercises. PREREQUISITE: permission of instructor.
3802. Production Techniques for Organizations. (3). Location video and slide/tape equipment, operations and techniques. Emphasis on informational and public relations programming. Not open to Film and Video Production students.
3820. Broadcast Preparation and Performance. (3). Skills required for on-air performance in broadcasting emphasizing use of voice and copy preparation; presentation of public affairs programming, documentary narration, sportscasting, newscasting and combo-announcing.
3823. Film and Video Production I. (4). Basic production skills and theory; photography; 16mm film, audio and small TV studio. Hands-on production exercises.
3824. Film and Video Production II. (4). Continued production skills and theory in film and video; extensive production exercises. PREREQUISITE: A minimum grade of C in COMM 3823 or permission of instructor.
3842. Television Studio Production I. (4). Techniques of Studio TV production, including staging and direction of programs. PREREQUISITE: A minium grade of C in 3823 or permission of instructor
3861. Television and Culture. (3). Social, political, and aesthetic dimensions of television in modern culture. [W].
4011-6011. Communication in Organizations. (3). (3011). Study of communication systems and problems in contemporary organizations with emphasis on the role of communication in corporate culture and in organizational change.
4013-6013. Communication in Political Campaigning. (3). (3013). Forms and effects of communication between politicians and constituencies; emphasis on campaign rhetoric via mass media, debates, and model speeches.
4210-19-6210-19. Special Topics In Communication Studies. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4220-29-6220-29. Special Topics in Film. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4341-6341. Interpersonal Communication. (3). Theory and research regarding one-on-one communication; effective practices for various interpersonal settings.
4342-6342. Small Group Communication. (3). Advanced study of group communication theory emphasizing group membership, member perceptions, group development, group process, and group outcomes.
4360-6360. History and Criticism of Public Discourse. (3). Survey and analysis of speeches and speakers vital to social, political, and cultural movement in Western civilization. Ancient to contemporary times. May be repeated for a maximum of 6 hours. [W].
4373-6373. Interracial Communication. (3). Special problems encountered in communication among races. Readings, discussion, and field study on how prejudice, stereotypes, and self-concepts can affect communication; exploration of rhetorical methods to minimize these problems.
4374. Directed Studies in Communication Arts. (1-3). Independent research in areas of special interest Includes rhetoric, broadcast and electronic media, and film. PREREQUISITE: permission of instructor.
4375-6375. Intercultural Communication. (3). Special problems encountered in communication between people of different cultural backgrounds. Focus on understanding communicative interaction between and among people with different national/cultural backgrounds and functioning more effectively in multi-cultural settings. [W].
4380. Communication and Conflict. (3). Theories and methods of conflict management and resolution focusing on practical communication skills. Concepts of perception, listening and peacemaking emphasized.
4381. Rhetoric and Public Controversy. (3). Intensive examination of the presentation of public issues in political and entertainment forms (speeches, drama, television, and film). [I].
4704. Theories of Communication. (3). A review of major theoretical approaches to human communication, ranging from information to systems theory.
4802-6802. Internship. (1-3). Field studies in communication. Supervised practical work with government institution, private business, film company, or broadcast and electronic media firm. Written analysis of experience required. May be repeated for maximum of 6 semester hours. PREREQUISITE: permission of instructor. (S/U).
4810-6810. Broadcast Regulation and Program Policy. (3). Effects of FCC and other governmental regulations on broadcast and electronic media management and operations. Topics include licensing, renewals, content control, politics, and copyright. PREREQUISITE: COMM 3800.
4811-6811. Radio and Television Programming. (3). Analysis of individual program formats (with examples); use of this information along with ratings and other audience research to study design of program schedules. PREREQUISITE: COMM 3800.
4812-6812. Communications Law in the Performing Arts. (3). Artist, performer, management contractual relationships; acquisition, copyright and disposition of literary and audio-visual properties; production and distribution agreements; advertising law and other matters for TV, motion picture, radio and stage businesses.
4822. Audio Production for Film and Video. (3). (3822, 3825). Intermediate principles and practices of audio (recording, editing, mixing, and design) with emphasis on film and video production. PREREQUISITE: A minimum grade of C in 3824 or permission of instructor.
4824-6824. Clnematography/Videography. (3). Art of visual interpretation with strong concentration in theory and techniques of lighting. Experience with professional film and video cameras and lighting equipment. PREREQUISITE: A minimum grade of C in 3824 or permission of instructor.
4825-6825. Editing and Post-Production. (3). Concentrates on the aesthetics of continuity development in a variety of editing styles; editing techniques and post-production procedures for both video tape and double system film. PREREQUISITE: A minimum grade of C in 3824 or permission of instructor.
4831-6831. Broadcast and Cable Sales and Advertising. (3). Relation of broadcasting and cable sales and advertising to networks, station representatives and salespeople; role of sponsors, agencies, and allied groups. PREREQUISITE: COMM 3800.
4841-6841. Television Workshop. (4). Production of television programming for local cablecasting. May be repeated for a maximum of 8 semester hours; repetition will not result in a change of any grade previously given. PREREQUISITE: COMM 3842 or permission of instructor.
4842. Television Studio Production II. (4). (4840). Advanced training in TV studio/multiple camera techniques. Extensive production work. PREREQUISITE: COMM 3842.
4850-6850. Film History I. (3). (4852). Historical survey of motion pictures from medium's pre-history to 1940. Emphasis on narrative film.
4851-6851. Film History II. (3). Historical survey of the major movements, genres, and themes in narrative film from 1940 to 1960.
4853-6853. Documentary Form in Film. (3). Development of non-fiction film as rhetorical and expressive form. Analysis of individual films, genres, and filmmakers.
4854-6854. Documentary Form in Broadcasting. (3). History, theory, and criticism of non-fiction broadcasting, including docudrama and television documentaries.
4856-6856. Women and Film. (3). Women as performers, viewers, subjects, and creators in American and international cinema.
4857-6857. History of Broadcast and Electronic Media. (3). Comprehensive study of history of broadcast and electronic media in United States as developed from 1895 to present. Use of primary sources. PREREQUISITE: COMM 3800.
4858-6858. Contemporary Cinema. (3). Major themes and styles in international and American narrative film from 1960 to present. [W].
4871-6871. Broadcast and Cable Management. (3). Theories of management, special problems and situations confronting managers of broadcast and cable outlets, including personnel, engineering operations, programming, and sales functions. PREREQUISITE: A minimum grade of C in 3824 or permission of instructor.
4891-6891. Producing and Directing for Film and Video. (3). Research and script preparation; budgeting and production management; working with actors and crew. PREREQUISITE: A minimum grade of C in COMM 3824 or permission of instructor.
4892. Film and Video Production. (1-3). Film and video production workshop. Class members write, produce, direct, or assume crew responsibilities on productions. May be repeated for a maximum of 6 hours. See departmental guidelines for independent production requirements and procedures. PREREQUISITES: COMM 3824 and permission of instructor.
4960-6960. Documentary Writing. (3). Writing for non-fiction media.
4970-6970. Screenwriting. (3). Writing for fiction film and television. Basic dramatic theory, narrative structure, characterization, dialogue, adaptation and the unique demands of the audio-visual media.
4980. Honors Studies. (3). (COMM, THCA). Reserved for students enrolled in Communication Arts Honors Program. May be repeated for a maximum of 15 hours. PREREQUISITE: Permission of Director of Communication Honors Program.
4982. Honors Seminar. (3). (THCA). Intensive study of particular problems in communication. May be repeated for a maximum of 12 hours when semester topics vary. PREREQUISITE: permission of Director of Communication Honors Program.
4993. Senior Practicum. (3). Independent work in radio, video, or film production. Each student has complete creative control of a program from conception through final product. See departmental guidelines for independent production requirements and procedures. PREREQUISITE: permission of instructor. [I].
4999. Senior Honors Thesis. (3). (COMM 4981, THCA 4999). Supervised independent research project. Open only to students enrolled in the Communication Honors Program. May be repeated for a maximum of 6 hours. PREREQUISITE: permission of Director of Communication Honors Program.
1700. Survey of Mass Communication. (3). Social background, scope, functions, and organization of modern communication media, attention to all major mass communication media; philosophy and goals of modern journalism; impact on governmental, social and economic systems.
2121. Media Writing. (3). Basic instruction in journalistic forms and style; use of computer in composition of news reports or articles and in solution of news writing problems; laboratory writing exercises on computer; one lecture, four laboratory hours per week. PREREQUISITE: Passing grade on the Journalism Department's Writing Proficiency Exam.
2123. Editing I. (3). Practice in headline writing, editing, and newspaper makeup and study of contemporary editing problems. PREREQUISITE: JOUR 2121.
2520. Press Photography. (3) Taking pictures with news camera, developing film, making enlargements, cropping and scaling for publication. Students may bring their own cameras. Open to non-majors with permission of instructor. One lecture/four laboratory hours. PREREQUISITE: ART 2701.
3120. Reporting. (3). (3124, 3720). Gathering news of university community with laboratory writing assignments. PREREQUISITES: JOUR 2121, 2123.
3123. News Feature Writing. (3). Fundamentals of non-fiction feature writing for newspapers, magazines, company publications and broadcast news presentations. Story ideas, personality profiles, humor articles and complex, news-related features developed.
3205. Magazine Article Writing. (3) Free-lance writing techniques; preparation of queries and articles for submission; generation and research of ideas appropriate for magazine market. PREREQUISITE: JOUR 3120 or 3123 or permission of instructor. [W].
3300. Survey of Advertising. (3). (2300). Exploration of creative function of advertising; emphasis on role of media.
3322. Advertising Layout and Production. (3) Design and production of printed media with emphasis on the printed advertisement.
3324. Advertising Copy Writing. (3). Principles of advertising psychology in relation to proven techniques for writing effective copy; approximately half of course devoted to practice in writing copy and preparing rough layouts. Typing proficiency required. PREREQUISITE: JOUR 2121 or permission of instructor.
3335. Advertising Sales. (3). Practical experience in preparation and selling of completed advertisements; students will work with own clients throughout semester. PREREQUISITE: JOUR 3322, 3324 or permission of instructor.
3345. Advertising Research. (3). Fundamentals in advertising research: nature of the market, appropriate advertising strategies, message effectiveness and media audiences. Primary and secondary research, sampling, questionnaire design, survey, and data processing and analysis. NOTE: Must be taken before JOUR 4328. PREREQUISITE: JOUR 3300. [C].
3400. Introduction to Public Relations. (3). Development, scope, and modern role of public relations; emphasis on case studies, lectures, and experimentation with major public relations tools and practices.
3410. Public Relations Research. (3). (4410). Identifying, characterizing and evaluating stakeholder groups and alternative channels of communication. Formal research procedures include sampling, instrument design, information gathering, data processing, analysis and reporting. [C].
3421. Public Relations Writing. (3). Emphasis on communication tactics. Plan, write, and produce public relations tools. Audience and media selection. Course covers print and electronic media. Two lectures, two laboratory hours per week. PREREQUISITES: JOUR 2121, 3400, 3410. [W].
3422. Electronic Media in Public Relations. (3). Planning and writing public relations copy for audio-visual presentations, radio, television, satellite-based communications networks, videotext, teleconferencing, computer-based communications and other electronic delivery systems. PREREQUISITES: JOUR 3400; COMM 3802; JOUR 3421 or permission of instructor.
3526. Digital Imagery in Journalism. (3). Story construction and reinforcement utilizing digital imaging elements including selection, editing, ethics, and story reinforcement in journalism publications including print, desk-top, and electronic media. Two lecture, two laboratory hours per week. PREREQUISITE: JOUR 2121.
3625. Radio and Television News Writing and Editing. (3). Processing of news for radio and television; attention to present-day style used by electronic media. Two lecture, two laboratory hours per week. PREREQUISITE: JOUR 2121.
3649. Radio News Practicum. (3). Applied skills in producing, writing, reporting, and voicing daily news and information programming for campus radio station WUMR. One lecture, four laboratory hours per week. PREREQUISITE: JOUR 3625 or permission of instructor. (S/U).
3700. History of Journalism. (3). Origin and development of American journalism; students who enroll should have completed HIST 2601 and 2602 or equivalent.
3712. Information Retrieval and Analysis. (3). Using computers to develop and execute search strategies in multiple on-line databases. Critical analysis and archiving of collected infromation.
3800. Journalism Seminar. (1). Weekly presentation by media professionals on topics in their fields of journalistic expertise. Students prepare for discussion sessions through assigned readings. May be repeated for a maximum of 2 hours credit. PREREQUISITE: junior standing.
3900. Computer Publishing Techniques. (3). Computer design and production of printed materials using desktop publishing software to create simple fliers, brochures and newsletters; one lecture, four laboratory hours per week.
4120-6120. Reporting Public Issues. (3). Analyzing and writing news reports about government, courts, energy, economy, taxes, education, environment, medicine and science. Stresses relationship between current issues and public's need to be informed. Emphasis on topics vital to large urban society. PREREQUISITE: JOUR 3120 or 3625. [W].
4124-6124. Computer-Assisted Reporting. (3). Advanced use of computer technology and investigative techniques to access, analyze and develop database information in combination with traditional news reporting. PREREQUISITES: News Editorial Students: JOUR 3120; Broadcast News Students: JOUR 3625.
4125. Editing II. (3). (3113, 3125). Practical editing applications using computer for page makeup and design; emphasis on entire editing process combining text and visual material.
4130. Writing Internship. (3). Work in practical assignments at local media under supervision of qualified practitioners. NOTE: Students who have received credit for JOUR 4330, 4430 or 4630 may not receive credit for JOUR 4130. PREREQUISITE: permission of department chair. (S/U only).
4214-6214. Magazine Editing and Production. (3). (3214). Editing and production problems of magazines; emphasis on business, industrial, and home periodicals; headline and title writing; pictorial copy layout, staff organization; and production processes. PREREQUISITE: JOUR 3900 or permission of instructor. [I].
4327. Media Planning. (3). Procedures for analyzing the advertising situation, writing advertising and media goals, and setting advertising appropriations. Use of a microcomputer program to develop and evaluate optimum advertising media schedules. NOTE: Offered only in fall term and must be taken before 4328. PREREQUISITES: JOUR 3300 and MKTG 3010 or 3011.
4328-6328. Strategic Advertising Campaigns. (3). Development of creative strategy and its execution to include layouts, audio tapes, slide shows, storyboards and sales promotion application. NOTE: Offered only in spring semester. PREREQUISITES: JOUR 3322, 3324, 3345, 4327. [W,I].
4330. Advertising Internship. (3). Work under supervision of qualified practitioners in local advertising agency; advertising department of newspaper, television, or radio station; or company advertising department. NOTE: Students who have received credit for JOUR 4130, 4430 or 4630 may not receive credit for JOUR 4330. PREREQUISITE: permission of department chair. (S/U only).
4420. Public Relations Case Problems. (3). (4423). Case studies and typical public relations problems. Planning and preparation of communications materials for various media; application of public relations techniques. PREREQUISITES: JOUR 3421, 3422.
4430. Public Relations Internship. (3). Work experience as intern with public relations department or organization or on team project assigned by instructor. Experience includes analysis of public relations plan and evaluation of results. NOTE: Students who have received credit for JOUR 4130, 4330 or 4630 may not receive credit for JOUR 4430. PREREQUISITES: JOUR 4420 and permission of department chair. (S/U only).
4440-6440. Public Relations Campaigns. (3). Application of theory, research data, and problem-solving techniques in the development of comprehensive public relations strategies. PREREQUISITE: JOUR 4420. [I].
4629. Electronic Reporting. (3). Gathering and writing of news for all electronic media (radio-TV-cable). Emphasis on fundamentals of reporting and audio-video electronic newsgathering. PREREQUISITES: JOUR 3625; COMM 3821, 3801 OR COMM 3821, 3823, and 3824.
4630. Broadcast News Internship. (3). Work in practical assignments at local broadcast media under supervision of qualified practitioners. NOTE: Students who have received credit for JOUR 4130, 4330 or 4430 may not receive credit for JOUR 4630. PREREQUISITE: permission of department chair. (S/U only).
4639. Television Newsroom Production. (3). Producing, writing, editing and using electronic equipment to assemble a television newscast. Emphasis on performing the various tasks in a working newsroom. PREREQUISITE: JOUR 3625, COMM 3801 or permission of instructor.
4649. Television News Practicum. (3). Applied skills in producing, writing, reporting, voicing daily news and information programming for a campus television newscast. One lecture, four laboratory hours per week. PREREQUISITES: JOUR 3625, 3649 or permission of instructor. (S/U).
4655-6655. Seminar In Electronic Media. (3). An examination of issues and problems confronting electronic media, analysis of the various professional, societal and economic forces that affect broadcast journalism.
4700. Mass Communication Law. (3). Origin and development of legal principles affecting freedom of expression and provisions of laws of libel, slander, copyright, and other statutes limiting communication in fields of publishing and broadcasting.
4702-6702. Current Issues In Journalism. (3). Advanced study of recent, critical problems faced by mass media and complexities that cause them. [I].
4708-6708. Journalism Professional Ethics. (3). Classical approaches to ethics presented with their application to the day-to-day considerations a journalist must face in working with employers, local publics and the larger society which depends on a free and responsible press.
4712-6712. International Mass Media. (3). Exploration of international communication, flow of news and propaganda; role in national development and international affairs; growth and impact of global journalism, television, advertising and public relations; comparison of media systems.
4800-09-6800-09. Special Topics in Journalism. (3). Intensive study of a single critical issue or current topic. May be repeated for a maximum of 6 hours credit.
4830. Directed Individual Study. (1-3). Independent study and research, or practicum, or project under supervision. May be repeated for a maximum of 3 hours credit. PREREQUISITE: permission of instructor.
4900. Desktop Presentation. (3). Using computers to learn processes/software/production design concepts involved in multi-media primarily designed for computer-to-computer communication. Involves digital editing of still images, off-line video editing, animation and production techniques for assembling all into a single CD or video to convey advertising, public relations, or news editorial concepts. PREREQUISITE: JOUR 3900 or permission of instructor.
PIANO PROFICIENCY: All undergraduate music majors must take a piano placement evaluation before enrolling in applied music courses. This evaluation will place students in the appropriate piano class (MUSE 1105, 1106, 2107, 2108) to develop skills necessary to pass the Piano Proficiency Examination. All students in the Bachelor of Music (in Music) degree program must pass the Piano Proficiency Examination before the beginning of the senior year. This may be done in either of two ways: (1) by completing MUSE 2108, or (2) by passing, without credit, the Piano Proficiency Examination given once each semester. Piano proficiency requirements vary according to the area of concentration. A verification will be mailed to the student and appropriate officials upon completion of the examination. After successful completion of this examination, music students whose major instrument is not piano may audition for major group or private piano instruction.
COMMERCIAL MUSIC PIANO PROFICIENCY: In lieu of the above piano proficiency, all Bachelor of Music commercial music majors, with the exception of keyboard students and students with a concentration in Music Business or Recording Technology must pass the commercial music piano proficiency examination before their final semester in the program.
PATTERNS OF COURSE OFFERINGS: Patterns of course offerings are indicated in some course descriptions. (F) indicates the course is offered during the Fall Semester; (SP) indicates Spring. Courses with no indications of offering are offered either every semester or as needed. There is no guarantee that courses will always be offered as indicated. Always check the Schedule of Classes for availability.
APPLICATION AND AUDITION PROCEDURES: Special application and audition procedures are required. See the description of the music programs in Colleges and Degree Programs.
Placement in the Music Theory sequence for undergraduates will be determined through examination. NOTE: Courses in Composition and Electronic Music may be repeated for credit but not for the purpose of improving the grade originally earned.
1001. Basic Music Theory. (2). For students who plan to major in music but do not meet minimum standards for MUTC 1008. Not allowable as credit toward the satisfaction of requirements for the major or minor. Two laboratory hours per week.
1008. Music Theory I. (3). Basic notation, scales, intervals, triads, key signatures; analysis and exploration of technical material and written exercises in historical areas of plain chant through late 16th century. COREQUISITE: MUTC 1010. PREREQUISITE: Theory placement exam.
1009. Music Theory II. (3). Four part structures, all seventh chords, chorale harmonization figured bass realization; analysis and written exercises from historical area of early 17th century through J. S. Bach. COREQUISITE: MUTC 1011. PREREQUISITES: MUTC 1008, 1010.
1010. Aural Theory I. (1). Beginning ear training; scales, intervals, triads, simple melodic lines and simple two part examples, sightsinging of combination of tonal and modal materials. COREQUISITE: MUTC 1008. PREREQUISITE: Theory placement exam. (S/U only).
1011. Aural Theory II. (1). Ear training involving triads in sequence, two part examples, modulatory melodies; sightsinging of 17th and 18th century melodic examples. COREQUISITE: MUTC 1009. PREREQUISITES: MUTC 1010, 1008. (S/U only).
2008. Music Theory III. (3). Continuation of four part structure, part writing and figured bass; expanded harmonic materials from ninth chords through chordal mutation; formal and chordal analysis from Bach through mid-19th century. COREQUISITE: MUTC 2010. PREREQUISITES: MUTC 1009, 1011.
2010. Aural Theory III. (1). Ear training involving expanded harmonic materials, modulatory melodies, two part examples with modulation; sightsinging of 18th and 19th century melodic examples. COREQUISITE: MUTC 2008. PREREQUISITES: MUTC 1011, 1009. (S/U only).
2501. Composition. (2). Class instruction in free composition; emphasis on smaller forms. May be repeated for additional credit. PREREQUISITE: MUTC 1008. NOTE: Composition taught as applied music. Students receive the equivalent of one half-hour lesson per week. Fee for this instruction is $30.00 per semester.
2502. Composition. (2). Works for piano, voice, chorus, and small ensembles; study of style and analysis of works from music literature. May be repeated for additional credit. PREREQUISITE: MUTC 2501 or permission of instructor. NOTE: Composition is taught as applied music. Students receive equivalent of one hour lesson per week. Fee for this instruction is $60 per semester.
2511. Introductory Electronic Music. (2). Emphasis on basic techniques of electronic music composition through work in tape manipulation, synthesizer operation, musique concrete; history and aesthetics of electronic music. PREREQUISITE: MUTC 2008 or permission of instructor. FEE $30.
3008. Music Theory IV. (3). Continuation of late 19th century harmonic structures; introduction of popular music and its notational symbols; introduction and use of 20th century techniques analysis and written examples from 20th century. COREQUISITE: MUTC 3009. PREREQUISITES: MUTC 2008, 2010.
3009. Aural Theory IV. (1). Ear training involving expanded 19th century harmonic considerations, 20th century chromaticism and pandiatonicism, two part examples from both 19th and 20th centuries; sightsinging emphasizing melodies of 20th century. COREQUISITE: MUTC 3008. PREREQUISITES: MUTC 2010, 2008. (S/U only).
3010. Aural Theory V. (1). Aural exploration of basic forms, cadences and styles of music; detailed aural analysis of modulatory elements within a piece. (F). PREREQUISITES: MUTC 3008, 3009. (S/U only).
3101. Orchestration. (2). Basic study of instruments of orchestra and band, terminology and techniques pertaining to that study; practical application by scoring for small and large instrumental combinations (F). PREREQUISITES: MUTC 3008, 3009, or permission of instructor.
3102. Advanced Musical Analysis. (3). Theoretical analysis of large-scale compositions from Renaissance to present. (SP). PREREQUISITES: MUTC 3008, 3009. [W].
4101. Compositional Techniques of the Twentieth Century. (3). Writing course employing harmonic and contrapuntal techniques and devices from Debussy to present. (SP-even years).
4202-6202. Seminar: Music Theory and Analysis. (3). Advanced course in theory, counterpoint, and analysis of literature. Contrapuntal and harmonic techniques. Research; theoretical problems from pedagogical point of view; writing in strict and free styles. Recommended as review course for graduate students. (F). PREREQUISITE: permission of instructor.
4203. Critical Studies in Music. (3). Directed research in music theory, history and literature; study in depth related to major concentration area; required of theory majors; term paper.
4204. Individual Studies in Music Theory and Composition. (1-3). (4201-001). Directed individual study in selected areas of music theory and composition chosen in consultation with instructor. May be repeated for credit but not for the purpose of changing a grade.
4205. Sixteenth Century Counterpoint. (2). (4201-002). Study of contrapuntal techniques of the sixteenth century. (SP-odd years).
4206. Eighteenth Century Counterpoint. (2). (4201-003). Study of contrapuntal techniques of the eighteenth century. (F-even years).
4207. Twentieth Century Counterpoint. (2). (4201-004). Study of contrapuntal techniques of the twentieth century. (F-odd years).
4208. Analytical Techniques. (3). (4201-006). Techniques of analysis of styles and structure of music from all periods of history of music. (SP-odd years).
4209. Advanced Orchestration. (3). (4201-007). Continuation of MUTC 3101. Orchestration of works from nineteenth and twentieth centuries for full orchestra; study of representative orchestral scores from romantic and contemporary periods. PREREQUISITE: MUTC 3101.
4260-69-6260-69. Special Topics in Theory and Composition. (1-3). Topics are varied and announced in Schedule of Classes.
4501-6501. Composition. (2 or 4). Composition in varied forms for large and small ensembles and solo instruments; analysis of contemporary works and practical application of techniques. May be repeated for additional credit. PREREQUISITE: recommendation of upper division examining committee. NOTE: Composition taught as applied music. Students receive equivalent of one hour lesson per week. Fee for this instruction is $60.00 per semester.
4502. Composition for Non-Composition Majors. (3). Class instruction in free composition for students not majoring in composition. Practical experience in idea generation, form, development, and instrumentation. PREREQUISITE: MUTC 3008. NOTE: Composition taught as applied music. Students receive equivalent of one half-hour lesson per week. Fee for this instruction is $30 per semester.
4511. Intermediate Electronic Music. (2). Emphasis on basic techniques through work in tape manipulation, study of history and aesthetics of electronic music. The two hours credit earned from this course may be used as composition credit toward composition concentration. PREREQUISITE: for music majors only or with permission of instructor. FEE: $60.00.
4512. Advanced Electronic Music. (2). Continuation of MUTC 4511. Emphasis on individual compositional projects. May be repeated for credit, but only two hours may be used as composition credit in composition concentration. FEE: $60.
4599. Senior Composition Recital. (3). Integration course for which students prepare and present a concert of their music and an accompanying descriptive paper. Taught as applied music, individual instruction. PREREQUISITES: a minimum of 4 hours in MUTC 4501; permission of the instructor. [I].
1101. Music Appreciation. (3). Music of various Western and non-Western cultures and historical periods, including the creative process, the formal elements of music and musical styles, genres, and media. Attendance at some concerts required. NOTE: May not be used to satisfy requirements for degrees in Music. [G].
3301. History of Music to 1700. (3). Development of significant musical styles; attention to individual contribution of major composers. (F). PREREQUISITE: MUTC 2008 or permission of instructor.
3302. History of Music Since 1700. (3). Continuation of MUHL 3301. (SP). PREREQUISITE: MUTC 2008 or permission of instructor. [W].
4001-6001. Piano Repertory. (3). Survey of stringed keyboard repertory from Bach and his contemporaries to the present. Representative works analyzed regarding historical, stylistic, formal and aesthetic features. (F). PREREQUISITE: junior standing in music or permission of instructor.
4002-6002. Song Repertory I. (3). Survey of solo literature from the Italian, British Isles, and German Schools of song.
4003-6003. Song Repertory II. (3). Survey of solo literature from the French, Russian and Slavic, Scandinavian, and American Schools of song.
4005-6005. History and Literature of the Organ. (3). Literature for the organ and its effect on and interaction with organ design.
4006-6006. Classical Guitar Literature I. (3). Study of the basic repertoire from the medieval period through the pre-classical period.
4007-6007. Classical Guitar Literature II. (3). Study of the basic repertoire from the classical period to the present.
4259. Studies in Bibliography. (3). Bibliographic techniques in music history; study and cataloguing of standard reference materials; research practices and ethics. Preparation of the Senior Project prospectus.
4260-69-6260-69. Special Topics in Music History. (1-3). Topics are varied and announced in Schedule of Classes.
4401. Medieval Music. (3). (4408-001). Advanced study of music in its historical context from Gregorian Chant through 1400.
4402. Renaissance Music. (3). (4408-002). Advanced study of music in its historical context from 1400 through 1600.
4403. Baroque Music. (3). (4408-003). Advanced study of music in its historical context from 1600 through 1750.
4404. Classical Music. (3). (4408-004). Advanced study of music in its historical context from 1725 through 1810.
4405. Nineteenth Century Music. (3). (4408-005). Advanced study of music in its historical context from 1790 through 1900.
4406. Twentieth Century Music. (3). (4408-006). Advanced study of music in its historical context from 1900 to the present.
4407-6407. The Opera and Music Drama. (3). Survey of opera before Richard Wagner; Wagner's music dramas and operas of his contemporaries; dramatic and musical significance of each phase of development of two forms. PREREQUISITE: MUHL 3301, 3302; or permission of instructor.
4500-6500. String Repertory. (3). Histories, texts, methods, periodicals, orchestral studies, and solo and ensemble literature of the individual string instruments.
4601. Comparative Arts. (3). Cultural activities in their interrelation with each other and with corresponding historic and economic events. Open without prerequisite to non-music majors of junior and senior standing.
4800-6800. World Musical Styles. (3). Musical styles and role of music performance in preliterate and folk societies throughout world. (SP).
4801-6801. American Folk and Popular Music. (3). Folk and popular elements in American music. Role of mass media, especially phonograph record, in utilizing and changing folk music. Historical development and interrelationships of various musical styles ranging from 19th century minstrelsy to roots of rock and roll. Emphasis on southern Anglo-American and Afro-American folk and popular musical styles. (F).
4803. Individual Studies in Music History. (1-3). Directed individual study in selected areas of music history chosen in consultation with instructor. May be repeated for credit with permission of department chair. May not exceed 6 hours credit.
4804-6804. Blues. (3). (4802-002). Stylistic development of blues music from its beginnings; its relationships to African-American and American culture and history. (F).
4805-6805. History of Rock and Roll. (3). (4802-006). Stylistic origins and development of rock and roll music from its beginnings to the present.
4806-6806. History of Jazz. (3). (4802-007). Stylistic origins and development of jazz; interaction of jazz and Western classical music styles.
4807-6807. Memphis Music. (3). (4802-009). Most distinctive forms of folk and popular music in Memphis in the twentieth century; relationships to history, culture, and social patterns of the city and mid-south region; folk music background; blues, jazz, country music, gospel music, and rock and roll emphasized. (Sp)
4999. Senior Project in Music History. (3). Integration course in which knowledge and skills developed in music theory, performance practice studies, and music history are utilized systematically in the preparation of a public presentation of musical and musicological interest and of accompanying decriptive paper. Taught as applied music, individual instruction. PREREQUISITE: a minimum of 6 hours in advanced music history courses; permission of the instructor. [I].
4104-6104. Sacred Music in History and Practice I. (3). Survey of Jewish and Christian sacred music, exploring origins of styles, traditions, and current practices. (F - alternate years). PREREQUISITE: MUTC 2008.
4105-6105. Sacred Music in History and Practice II. (3). (SP - alternate years). PREREQUISITE: MUTC 2008.
4106-6106. Children's Choirs in the Church. (3). Organization and development of a children's choir program in the church; rehearsal techniques; literature; vocal development; recruiting; contemporary approaches. (F).
4107-6107. Service Playing for Organists. (3). Playing of hymns and accompaniments, adaptation of piano and orchestra accompaniments, basic improvisation. (SP - alternate years). PREREQUISITE: Upper division standing in organ or permission of instructor.
4260-69-6260-69. Special Topics in Sacred Music. (1-3). Topics are varied and announced in Schedule of Classes.
4801-6801. Individual Studies in Sacred Music. (1-3). Directed individual study in selected areas of music chosen in consultation with instructor. May be repeated for credit with permission of department chair. May not exceed 6 hours credit.
Applied music courses are divided into two broad categories: (1) small group or individual lessons in vocal or instrumental performance and (2) musical ensembles.
Small group lessons in vocal or instrumental performance are provided through MAJOR GROUP INSTRUCTION (see the explanation below under MAJOR GROUP INSTRUCTION). Individual lessons in vocal or instrumental performance are offered at LOWER DIVISION and UPPER DIVISION levels (see the explanation below under LOWER DIVISION COURSES and UPPER DIVISION COURSES). Major group or individual lessons in vocal or instrumental performance are given by university faculty who are members of the relevant Applied Music Division.
All students who wish to enroll in small group or individual lessons in vocal or instrumental performance must perform an audition for the members of the appropriate Applied Music Division or for a designate of the appropriate division. Because the number of students who can be accepted is limited, it is advisable that the student audition as early as possible to be assured a place with the requested teacher. Practice facilities are provided without charge, but there are additional fees for the individual lessons (see the explanation below under FEES), and a deposit is required for practice room keys.
Examinations for courses in which the student is to receive credit for small group or individual lessons in vocal or instrumental performance are called Board Exams. For Board Exams, each student performs musical selections and/or technical exercises of a grade of difficulty appropriate to the level of instruction in which the student is enrolled. The board hearing the exam is made up of the members of the appropriate Applied Music Division (for further information, see the explanation below under EXAMINATIONS).
Music majors at The University of Memphis are expected to participate in Music Department ensembles; each degree program has specific or general ensemble requirements (see above under the various degree requirements). Non-music majors enrolled at The University of Memphis as degree-seeking students may enroll and be accepted for applied instruction where staff time is available. If accepted for applied instruction, non-music majors must simultaneously enroll and participate in an ensemble sponsored by the Department of Music.
Any student enrolled at The University of Memphis may audition for applied jazz lessons as space permits. Any student accepted for applied jazz lessons must concurrently participate in an appropriate jazz ensemble or combo. Jazz ensemble assignments are made following the jazz auditions during registration week at the beginning of the semester.
All jazz and studio bass majors must simultaneously be enrolled in classical bass, MUAP 1541 until a level of proficiency equal to entrance into upper division is attained.
All jazz and studio guitar majors must take six semester hours of classical guitar which is the maximum allowable for credit toward the degree. If a student can meet the requirements in less time, and wishes to discontinue classical study, the student may do so with permission of the instructor and consultation with the jazz and studio faculty. In the event a student cannot meet the requirements after six semester hours of study, it is the student's responsibility to pursue classical guitar as an elective or until such time as requirements are met to the satisfaction of the guitar and jazz and studio faculty.
FEES: In addition to the regular student fees, all persons taking applied music will be assessed $35.00 per semester for the half-hour lessons. Students registering for one (1) semester hour credit will receive one half-hour lesson per week. All others will receive one hour lesson per week regardless of credit hours. The integration courses-Artist Recital, Senior Composition Recital, Senior Project in Music History, and Senior Performance Project-are taught as applied music, and a fee of $105.00 is assessed for registration in each course.
APPLIED MUSIC COURSES
CREDITS AND GRADES: Students may register for one or two hours credit per semester and will be assigned to individual lessons, a master class, or a combination of the two, commensurate with their level of performance. Additional credit may be earned at the lower division and upper division level. Students earning more than two credits per semester will be assigned additional practice and will be expected to perform at a higher level than those students registered for fewer credits. Grades are awarded on the same basis and have the same significance as in other subjects.
REPETITION OF COURSES: MUAP courses in individual lessons and major group instruction, small ensembles, and large ensembles may be repeated for credit but not for the purpose of improving the grade originally earned.
EXAMINATIONS: For an examination in applied music, students will prepare and perform for members of the faculty of the Department of Music suitable musical selections and technical exercises of a grade of difficulty appropriate to their standing. Examinations are held in designated rooms on days set aside for this purpose near the end of each semester. Credit for the course will not be awarded to any student who fails to take the examination.
1000. Applied Music Workshop. (.5). This course is required of all music majors for eight semesters. (S/ U only).
3999. Junior Recital. (1).
4260-69-6260-69. Special Topics in Applied Music. (1-3). Topics are varied and announced in Schedule of Classes.
4799. Conducting Recital. (1).
4801-6801. Individual Studies in Applied Music. (1-3). Directed individual instruction in applied area not listed under MUAP. May be repeated, not to exceed 6 semester hours credit. PREREQUISITE: permission of department chair.
4998. Senior Performance Project. (3). Integration course in which knowledge and skills developed in music history, music theory, applied music, and music education courses are utilized systematically in the preparation and presentation of a public musical performance and of an accompanying descriptive paper; one of the compositions presented in the format of a lecture-demonstration. Taught as applied music, individual instruction. PREREQUISITE: minimum of 2 hours in upper division applied lessons; permission of the instructor. [I].
4999. Artist Recital. (3). Integration course in which knowledge and skills developed in music history, music theory, and applied music courses are utilized systematically in the preparation and presentation of a public musical performance and of an accompanying descriptive paper. Taught as applied music, individual instruction. PREREQUISITE: a minimum of 4 hours upper division lessons; permission of the instructor. [I].
MAJOR GROUP INSTRUCTION: Any student of the university may audition for lessons at the major group level except in organ; organ students must have the ability to play the piano before beginning organ instruction. A student may not receive more than four hours credit in any one area of major group instruction. The fee for major group instruction will be the same as for one half-hour lesson per week: $35.00 per semester.
LOWER DIVISION COURSES: Applied music courses in the lower division include the study normally carried out during the freshman and sophomore years. Piano or instrumental students at this level should have had several years of intensive study prior to university entrance so that they have a secure, reliable, and well-grounded technique on the instrument. Organ students may begin at this level provided that they play the piano well and have reasonable ability in sight-reading. Those who do not meet this requirement will register for MUAP 1310. To be admitted to lower division study a student must first pass a qualifying examination.
Students who fall short of the requirements for admission to the lower-division courses will be advised to register for major group instruction until deficiencies are eliminated. Course numbers will be repeated for each semester of study.
UPPER DIVISION COURSES: Promotion to the upper division does not follow automatically after the completion of four semesters of courses in the lower division but is made only on the recommendation of the upper division examining committee; such a recommendation will be made only if the student's proficiency as a performer bears promise of future artistic and professional qualities as a soloist. It is at this level that the student normally begins preparation for a recital.
JUNIOR RECITAL, ARTIST RECITAL, and SENIOR PERFORMANCE PROJECT: The Junior Recital is required for the Performance Concentration under the Bachelor of Music in Music degree. The Artist Recital is required for the Performance Concentration and the Sacred Music Concentration. The Senior Performance Project is required under the School of Music Concentration. The Artist Recital and the Senior Performance Project are integration courses for which the student must prepare both a public recital and a paper. To register for the Junior Recital and the Senior Performance Project, students must have successfully completed at least two years of credit in upper division lessons in their applied area. To register for the Artist Recital, students must have successfully completed at least four hours of credit in upper division lessons in their applied area. The Junior Recital must be approved by the appropriate applied music faculty through a hearing. Both the musical and the written portions of the Artist Recital and the Senior Performance Project must be approved by the appointed faculty committee through a reading and a hearing. Upon approval, the student may schedule a date for the public performance and make arrangements for the printing of the program. The public performance must be presented no later than two weeks after the date of the hearing.
SMALL, CHAMBER, AND SPECIALIZED ENSEMBLES: Advanced students are encouraged (and for certain degree plans are required) to participate in the following groups. Selection for membership is based on audition; courses may be repeated with the approval of the student's advisor. Three one-hour meetings per week.
3101. Brass Ensemble. (1). Practical applications of brass performance techniques for a small chamber ensemble, one performer to a part; survey of brass chamber music. PREREQUISITE: permission of instructor.
3104. Collegium Musicum. (1). Use of early musical instruments and voice in performance of early music; primary sources used in preparation of performances. PREREQUISITE: permission of instructor.
3301. Chamber Music for Pianists. (1). Applied work in piano ensembles, chamber music, and accompanying for woodwinds, brasses, strings, and vocalists.
3401. Percussion Ensemble. (1). Study and performance of selected traditional, contemporary, avant garde and pops percussion literature. Open to students in percussion concentration and others through audition.
3402. Contemporary Chamber Players. (1). Ensemble of mixed and variable instrumentation. Performance of repertoire written since 1900 and little known works of other periods. Primary goal of ensemble: to provide experiences in solving unique performance problems of contemporary music. PREREQUISITE: permission of instructor.
3403. Orff Ensemble. (1). Study and performance of literature written for Orff instruments, including barred percussion, unpitched percussion, and recorder.
3501. Chamber Music for Strings. (1). Study and performance of string chamber music repertory. Coaching sessions weekly with a member of music faculty. Open to music majors and non-majors through audition.
3503. Double Bass Ensemble. (1). Study and performance of works for bass ensemble. Open to music majors and non-majors through audition.
3504. Guitar Ensemble. (1). Study and performance of works for guitar ensemble. Open to majors and non-majors through audition.
3505. Cello Ensemble. (1). Study and performance of works for cello ensemble. Open to music majors and non-majors through audition.
3601. Camerata Singers. (1). Small vocal ensemble of varying sizes and resources specializing in performance of music from Medieval through Baroque periods. Open to music majors and non-music majors through audition.
3602. Opera Workshop. (1-6).
3603. Opera Soloists. (1). Preparation and performance of role in major production of University Opera Theater. Audition required.
3604. Opera Production Laboratory. (1-6).
3701. Woodwind Ensemble. (1). Study and performance of original and transcribed works for varied combinations of woodwind instruments. Audition required.
LARGE MUSICAL ORGANIZATIONS
A minimum of eight semesters of large ensemble is required of music majors. (Exceptions to this policy are pianists concentrating in Performance and guitarists who are required to have a minimum of 6 semesters of large ensemble; Commercial Music majors in Performance who are required to have 8 semesters of the appropriate level jazz ensemble; and Commercial Music majors in Composition/Arranging who are required to have 4 semesters of the appropriate level jazz ensemble. Commercial Music majors concentrating in Music Business or Recording Technology are exempt from this requirement.) Generally, wind and percussion performers are to participate in an instrumental ensemble; string performers are to participate in orchestra; and vocal, keyboard, and guitar performers are to participate in a choral organization unless assigned to a large instrumental ensemble. Transfer students lacking sufficient large ensemble credits may partially fulfill their large ensemble requirement by simultaneously enrolling in a small ensemble with a maximum of 2 credit hours of small ensemble applicable to the total large ensemble requirement. Ensemble assignments are based on audition and may be repeated. Any exception to this general ensemble assignment policy may be made after a review of petitions by the department chair, the appropriate ensemble director, and the applied studio teacher.
2001. University Concert Band. (1). (2001001). Performance of traditional and contemporary wind compositions. Participants chosen from this ensemble for basketball pep-bands. Open to music majors and non-music majors.
2002. Marching Band. (2). Selected ensemble that performs at all home football games and occasional out-of-town games in each season. Rehearsal approximately ten hours weekly. Open to music majors and non-music majors. [G].
2003. Varsity Band. (1). (2001002). Concert performance of traditional and contemporary wind compositions. Participants are chosen from this ensemble for basketball pep-bands and usually have participated in Fall marching band. Open to music majors and non-music majors.
2004. University Gospel Choir. (1). Ensemble open to all students. Music includes contemporary gospel, spirituals, and gospel hymns. Serves as outlet for students interested in developing musical and personal capacities. Open to music majors as elective. Two class meetings per week.
3004. University Wind Ensemble. (1). Select ensemble of instrumentalists. Study and performance of outstanding repertory for wind ensembles. Open to music majors and non-music majors through audition.
3005. University Orchestra. (1). Study and performance of major orchestral literature. Additional opportunities for opera, chamber-orchestral and chamber ensemble performance. Audition required.
3006. University Singers. (1). Study and performance of choral works from broad spectrum of choral literature; sacred, secular, accompanied and a cappella. Open to music majors and non-music majors through audition.
3007. Opera Chorus. (1). Choral ensemble for opera productions with exploration of related stage techniques. Extra rehearsals at discretion of conductor. Audition required.
3008. Oratorio Chorus. (1). Study and performance of major works primarily oratorio in nature. Open to music majors, non-music majors and the off-campus community. Audition required.
JAZZ AND STUDIO ENSEMBLES
3012. University Instrumental Jazz Ensemble.(1). (3010-001). Study and performance of varied jazz styles, including repertory from standard big band literature and studio ensembles. Open to music majors and non-majors through audition. This course will meet large ensemble requirements for Commercial Music majors only.
3013. University Vocal Jazz Ensemble. (1). (3010-002). Study and performance of varied jazz styles, including repertory from standard big band literature and studio ensembles. Open to music majors and non-majors through audition. This course will meet large ensemble requirements for Commercial Music majors only.
3014. Recording Studio Instrumental Ensemble. (1). (3011-001). Ensemble performs and records works written by students in the Commercial Music program. This couse will meet large ensemble requirements for Commercial Music majors only.
3015. Recording Studio Vocal Ensemble. (1). (3011-002). Ensemble performs and records works written by students in the Commercial Music program. This couse will meet large ensemble requirements for Commercial Music majors only.
3103. Jazz Combo. (1). Practical application of basic jazz improvisatory skills; combo experiences in all jazz styles; traditional, bop, contemporary. Audition required.
FIELDS OF ENDORSEMENT FOR TEACHING: For students in the School Music Concentration of the Bachelor of Music in Music degree, endorsement may be obtained in Instrumental Music and in Vocal Music. Normally, a student can expect to be recommended in only one of these areas. Vocal Music applicants should be able to play piano accompaniments of moderate difficulty, should possess an adequate solo voice for school music purposes, and should schedule a variety of large choral ensembles. Instrumental Music applicants should study one instrument of major emphasis and participate in large instrumental ensembles. Students in either area may satisfactorily meet piano and voice requirements with completion of MUSE 2108 and MUSE 1113 and their prerequisites. A graduation recital is required in both areas.
1100. Class Piano for Non-Music Majors. (2). Beginning instruction in piano for non-music majors. Development of basic reading and performance skills.
1101. Class Instruction in Brass Instruments. (1). Basic performance skills and teaching techniques on trumpet, trombone, French horn, baritone horn and tuba for those who intend to teach instrumental music in schools. (SP).
1103. Class Instruction in Percussion Methods. (1). Basic performance skills and teaching techniques on snare drum, timpani, and keyboard percussion instruments for those who intend to teach instrumental music in schools. (F).
1104. Class Instruction in Woodwind Instruments. (1). Basic performance skills and teaching techniques on clarinet, flute, saxophone, oboe, and bassoon for those who intend to teach instrumental music in schools. (SP).
1105. Class Instruction in Piano. (2). Basic technique, with emphasis on sight-reading. PREREQUISITE: MUTC 1001 or permission of instructor.
1106. Class Instruction in Piano. (2). Playing of songs used in school music teaching; community songs, and hymns. PREREQUISITES: MUSE 1105; MUTC 1008, 1010.
1112. Class Instruction in Voice. (1). Fundamentals of vocal production useful for all music teachers.
1116. Class Instruction in Stringed Instruments. (1). Basic performance skills on violin, viola, cello, or double bass. Emphasis on principles of sound production, intonation, and bow strokes. Various published methods examined and compared. Orchestral and chamber music literature for string players. (F).
1118. Class Instruction in Guitar for Non-music Majors. (2). Beginning instruction in classical guitar for non-music majors. Development of basic reading and performance skills.
2107. Class Instruction in Piano. (2). Simpler Bach chorales, more difficult songs, and accompaniments, appropriate to the student's major field; memorization optional. PREREQUISITES: MUSE 1106; MUTC 1009, 1011.
2108. Independent Studies in Piano Proficiency. (2). Piano repertoire and technique, accompaniments, harmonization, transposition, and sight reading to satisfy the core requirements of the piano proficiency exam. Requirements vary according to the student's concentration area and the degree emphasis. PREREQUISITES: MUSE 2107; MUTC 1009, 1011. (T grade allowed).
3001. Music for Children. (3). Goals, materials, and methods of music appropriate for the elementary school child; music reading and playing of classroom instruments; creative movement; activities for music appreciation.
3700. Basic Conducting. (2). Development of conducting skills. Basic baton principles, rhythmic analysis, expressive techniques, phrasing, and multimetered problems. Class meetings require performing as instrumentalist or vocalist as well as conductor. Three class hours per week. (F). PREREQUISITE: Completion of MUTC 3008.
3702. Score Reading. (3). Realization of open score at the keyboard; vocal scores, small orchestra and large orchestra scores; clefs, transpositions, etc.; employing literature from various periods of music history.
4001-6001. Orff-Schulwerk for Classroom Teachers. (3). Broad, practical introduction to use of Orff-Schulwerk approach to elementary music teaching. Development of performance leadership skills emphasized. Not open to music majors.
4201-6201. Individual Studies in Music Education. (1-3). Individual study of problems and opportunities faced by person who teaches music in schools; for classroom teachers, music teachers, supervisors, principals, and administrators. May be repeated, but not for the purpose of changing a previous grade, for maximum of 6 semester hours credit.
4205-6205. Marching Band Techniques. (2). Organizing and conducting the marching band, gridiron charting and marching procedures with a study of precision drill, formations and pageantry. (SP). PREREQUISITE: permission of the instructor.
4206-6206. Music for Exceptional Children. (3). Types of exceptional children and implications for providing realistic musical activities in the classroom. Emphasis on use of music as a tool in reaching non-musical goals such as language development, social adjustments, motor coordination, aural and visual perception (team taught with Special Education). (SP).
4208-6208. Band Literature. (3). History and evolution of wind instruments and wind instrument playing and the history and development of the wind band and its literature, with general background material on the specific composers involved. (SP).
4209. Piano Tuning and Repair. (2). Concentrated study of basic techniques involved in piano tuning and adjustment. Some basic tools required.
4211. Vocal Diction I. (2). Phonetic study of Latin, English and German languages in detail. Introduction and basic rules of Italian pronunciation. Study includes International Phonetic Alphabet transcription of songs and arias and class performance. (Alternate years).
4212. Vocal Diction II. (2). Phonetic study of Italian, French, and Spanish in detail, including IPA transcription of songs and arias and class performance. Other languages (Russian, Hebrew, etc.) may be covered as time permits. (Alternate years).
4213. Materials and Methods of General Music. (2). (4203). Philosophy, methods and materials for teaching non-performance music classes in secondary schools, grade 7-12. Includes demonstration and simulation of classroom teaching at this level. (F). COREQUISITE: MUSE 4214.
4214. Clinical Experience in Materials and Methods of General Music. (1). (4204). Observation and teaching of mini-lessons for teaching non-performance music classes in secondary schools, grade 7-12. (F). COREQUISITE: MUSE 4213.
4260-69-6260-69. Special Topics in Music Education. (1-3). Topics are varied and announced in Schedule of Classes.
4303. Materials and Methods of Instrumental Music, K-8. (2).Designed to prepare the school instrumental music teachers to teach basic music concepts to beginners in mixed instrumental group settings. Instruction methodologies and materials, simple instrumental arranging, instrument assignment, and instrument maintenance stressed. (SP). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4304.
4304. Clinical Experience in Materials and Methods of
Instrumental Music, K-8. (1). Observation and teaching of mini-lessons in music to beginners in a mixed instrumental group settings. (SP). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4303.
4305. Materials and Methods of Choral Music, K-6. (2). Aims and principles of music and of traditional and contemporary methods of teaching in elementary schools. Creative approach to rhythm, listening, instrumental and singing activities. Contemporary systems of music teaching for elementary grades surveyed. (SP). PREREQUISITE: Junior standing. COREQUISITE: MUSE 4306.
4306. Clinical Experience in Materials and Methods of Choral Music, K-6. (1).Observation and teaching of mini-lessons in music in an elementary school setting. (SP). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4305.
4403. Materials and Methods of Instrumental Music, 9-12. (2).Designed to prepare the instrumental music teacher to teach music concepts to intermediate and advanced players in mixed instrumental group settings. Instruction methodologies and
materials, objectives, evaluation, motivation, and administration stressed. (F). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4404.
4404. Clinical Experience in Materials and Methods of
Instrumental Music, 9-12. (1). Observation and teaching of mini-lessons in music to intermediate and advanced player in mixed instrumental group settings. (F). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4403.
4405. Materials and Methods of Choral Music, 7-12. (2). Selected materials and methods of practical concern to the vocal-choral music specialist. Consideration of music series, scheduling techniques, voice class development, choral publishers, units of study. (F). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4406.
4406. Clinical Experience in Materials and Methods of Choral Music, 7-12. (1). Observation and teaching of mini-lessons in music in a secondary shcool setting. (F). PREREQUISITE: Junior standing in music. COREQUISITE: MUSE 4405.
4501-6501. Piano Pedagogy I. (3). Training teachers for beginning through intermediate level piano instruction. Establishing strong artistic, musical and technical foundations. (F). PREREQUISITE: permission of instructor.
4503-6503. Piano Pedagogy II. (3). Training teachers for advanced piano instruction. Extensive readings from renowned artist-teachers and performers. Development of ideation and memorization skills. Observations and supervised practice teaching. (SP). PREREQUISITE: MUSE 4501 or permission of instructor.
4505-6505. Principles of Accompanying. (3). Performance class involving practical study of instrumental and vocal standard repertory and the problems of ensemble playing. Facility in sight-reading and ability to assimilate music rapidly. Score-reading, transposition, and figured bass realization introduced as skills necessary to well rounded musicianship. (SP). PREREQUISITE: permission of instructor.
4506-6506. Introduction to Suzuki Talent Education for Strings. (3). Required of students who plan to serve as apprentice string teachers in U of M Suzuki Talent Education program. Basic instruction in Suzuki philosophy; participation with parents and children in Suzuki string classes.
4508-6508. Principles of Suzuki Piano. (3). Suzuki philosophy applied to development of the child's abilities and role of teacher and parent. Students will analyze technical and musical instruction of beginning piano student. (F). PREREQUISITE: upper division piano skills.
4509-6509. Suzuki Violin Literature and Techniques. (3). Literature and technique taught in Suzuki Violin School; fundamental technique, development of posture, tone and listening ability in beginning students; analysis of pedagogical material. Required of students who plan to serve as apprentice teachers in U of M Suzuki String Program. PREREQUISITE: MUSE 4506.
4510-6510. Advanced Suzuki String Pedagogy. (3). Literature and technique taught in Suzuki Violin School; emphasis on development of advanced student; laboratory experience in U of M Suzuki String Program. Required of students planning to be apprentice teachers in U of M Suzuki String Program. PREREQUISITE: MUSE 4509.
4511-6511. Class Piano Pedagogy. (3). Group instruction techniques in teaching of beginning, intermediate, and early advanced piano. Emphasizes observation and practical application. For the piano major and/or prospective piano teacher. (SP). PREREQUISITE: upper division level in keyboard or permission of instructor.
4512-6512. Jazz Pedagogy for Music Educators. (3). Design and implementation of a comprehensive jazz curriculum, either at secondary or college level; teaching methodology in all disciplines of the jazz idiom. PREREQUISITES: advanced standing, permission of instructor.
4700. Instrumental Conducting. (2). Various problems encountered in preparation and conducting of instrumental scores; individual practice with opportunity for each student to conduct instrumental groups. Three class hours per week. PREREQUISITE: MUSE 3700.
4701. Choral Conducting. (2). Various problems encountered in preparing and conducting traditional and contemporary vocal scores; rehearsal techniques; individual practice with laboratory groups. Three class hours per week. PREREQUISITE: MUSE 3700.
4801-6801. Teaching Music Comprehensively. (3). Methods course to bring music theory, history, literature, performance, composition, and analysis to bear on teaching of music at any level-elementary, junior high, high school, college, and private studio.
4802-6802. Level I Orff-Schulwerk. (1-3). Basic Orff-Schulwerk techniques including body movement, soprano recorder, percussion, vocal performance, improvisation and arranging. PREREQUISITE: junior standing in music education or equivalent experience.
4811-6811. Orff-Schulwerk for Music Specialists. (3). Experience in Orff-Schulwerk through singing, rhythmic training, movement, improvisation, and instruments. Open to music majors and specialists only.
1116. Class Instruction in Piano: Jazz/Pop/ Commercial. (2). Basic harmonic patterns, chord symbol realization, voicing, basic rhythmic patterns. PREREQUISITE: MUSE 1105 or equivalency exam.
2101. Music Theory: Jazz/Pop/Commercial I. (3). Basic harmonic structures, chord symbol realization, melodic structures, notation, articulation, rhythmic patterns; analysis of written and recorded jazz, pop, and commercial music; transcription of recorded materials. Three lecture, one lab hours per week. (F). PREREQUISITES: MUTC 1009, CMUS 1116.
2102. Music Theory: Jazz/Pop/Commercial II. (3). Altered scales and modes, altered and extended chords, chromatic progressions, mediant relationships, poly-harmony and panchromaticism. Three lecture, one lab hours per week. (SP). PREREQUISITE: CMUS 2101.
2501. Composition/Arranging: Jazz/Commercial I. (2). Emphasis on small instrumental and vocal works, basic style and form. May be repeated for a maximum of 6 hours credit. PREREQUISITE: MUTC 2501 or permission of instructor. NOTE: Composition is taught as applied music. Students receive the equivalent of one half-hour lesson per week. Fee for this instruction is $30.00 per semester.
2502. Composition/Arranging: Jazz/Commercial II. (2). Emphasis on stage and jazz band arranging techniques. Introduction to line writing. May be repeated for a maximum of 6 hours credit. PREREQUISITE: CMUS 2501 or permission of instructor. NOTE: Composition is taught as applied music. Students receive the equivalent of one half-hour lesson per week. Fee for this instruction is $30.00 per semester.
3100. Promotion and Management of Artists. (3). Problems involved in management and promotion of recording artists. Attention to management, recording procedures, booking, and personal appearance contracts; concert promotions and personal appearances as they relate to development of artist. A portfolio will be completed.
3101. Record Promotion and Sales. (3). Current practices in promotion and sale of recordings. Emphasis on radio station music formats and other methods of exposing recordings to the public. Sales portion examines wholesale, one-stops, rack, and retail store sale of recordings. (F).
3103. Trends in Contemporary Music Styles and Production. (3). Various styles of current popular musical groups and artists and their influences from earlier eras; discussion of prominent "behind-the-scenes" personalities-songwriters, producers, and engineers; analysis of musical styles and devices for purposes of developing ability to recognize and create songs with commercial potential.
3501. Composition/Arranging: Jazz/Commercial III. (2). Individual instruction for mixed ensembles and studio groups in various jazz and studio styles, standard and extended forms. May be repeated for additional credit. PREREQUISITE: CMUS 2502 or permission of instructor. NOTE: Composition is taught as applied music. Students receive the equivalent of one hour lesson per week. Fee for this instruction is $60.00 per semester.
3503. Songwriting Fundamentals. (3). Process of developing an idea into a commercially viable song. Individual guidance provided. Songwriters and publishers from major companies invited to appear. PREREQUISITES: basic ability to read and write music; basic skill on a musical instrument; permission of instructor.
3800. Recording Studio Technology. (4). Detailed examination of basic theory, operational concepts and technologies upon which modern studio equipment is based. Exploration of creative production techniques used to enhance musical composition and performance. Basic operating procedures. (F). PREREQUISITES: sophomore standing, completion of MATH 1312, TECH 1811, and permission of instructor.
3801. Studio Synthesizers. (2). Focus on needs of both music composer and practicing audio engineer, and on use of equipment commonly found in modern electronic music studios. Topics include sampling, synthesis, MIDI, patching, electronic editing, signal processing, and creative commercial production techniques. Projects involving computer-assisted composition and performance will be required. (SP). PREREQUISITES: CMUS 3800 or 3802 and permission of instructor.
3802. Audio Recording for Non-Technology Majors. (4). Promote basic understanding of equipment, techniques, musical production values and technology commonly used in modern audio production. Synthesizers, MIDI, home studios, and computer-assisted composition and performance systems also examined. (SP). PREREQUISITES: junior standing and permission of instructor. Will not satisfy degree requirements for recording technology majors.
3825. Materials and Techniques of Improvisation I. (3). Development of improvisation skills on solo instruments or voice; basic chord patterns, scales, arpeggios; performance with rhythm section. (F). PREREQUISITE: CMUS 2102 or permission of instructor.
3826. Materials and Techniques of Improvisation II. (3). Analysis of melodic structures; motivic fragmentation and sequencing; extended harmonic structures, articulatory variation; performance in small combo settings. (F). PREREQUISITE: CMUS 3825 or permission of instructor.
3827. Materials and Techniques of Improvisation III. (3). Analysis and performance of music in standard styles, including bebop, Latin, third stream, soft rock, hard rock and commercial; performance with combos and large jazz ensembles. (F). PREREQUISITE: CMUS 3826 or permission of instructor.
3828. Aesthetics and Analysis of Jazz and Commercial Music Styles. (2). Fundamentals of form and style analysis; study of the artistic and commercial intentions and appropriateness of music from early popular styles to the present. (SP). PREREQUISITE: CMUS 2102 or permission of instructor.
4102-6102. Composer's Workshop: Jazz/Commercial. (3). (MUTC 4102). Composition/Arranging for various sizes of instrumental and vocal groups with emphasis on commercial writing; projects in record copies, horn and string tracks, background vocals, instrumental accompaniment for vocal solos, jingles, and radio station ID's. (SP-odd years). PREREQUISITES: CMUS 2102, 2502, or permission of instructor.
4103-6103. Jazz and Studio Ensemble Techniques. (3). (MUTC 4103). Jazz and studio performance styles and practices, emphasizing ensemble rehearsal and conducting techniques, articulation, phrasing, balance and blend, line dominance, and recording studio performance skills. (F). PREREQUISITE: CMUS 3828.
4201. Studies in Commercial Music. (1-3). Class or supervised individual study of special problems in Commercial Music. May be repeated if course content differs.
4260-69-6260-69. Special Topics in Commercial Music. (1-3). Topics are varied and announced in Schedule of Classes.
4501. Composition/Arranging: Jazz/Commercial IV. (3). Individual instruction with emphasis on advanced line writing, fusion and contemporary mainstream styles, writing for full studio orchestra. May be repeated for additional credit. PREREQUISITE: CMUS 3501 or permission of instructor. NOTE: Composition is taught as applied music. Students receive the equivalent of one hour lesson per week. Fee for this instruction is $60.00 per semester.
4502-6502. Introduction to Film/Video Scoring. (3). Basic problems of writing music for film and video: commercial and industrial productions, shorts and full length features, selection of appropriate styles, creating a master music list, writing from a cue sheet; introduction to editing room equipment: conversion of film frames to video, use of SMPTE time code and synchronization equipment, MIDI sequencer scoring from a digital audio workstation; project assignments in film and video formats. (alternate years). PREREQUISITES: MUTC 2511, CMUS 3501, and either CMUS 3801 or MUTC 4511 or 4505, or by permission of instructor.
4504. Entertainment Complex Administration. (3). Fundamentals for managers of concert halls, theme parks, stadiums, nightclubs, and other venues. Topics include talent selection and contract negotiations, union considerations, publicity, security, cash management, budgets, selection of program material, presenting programs and performances. (SP).
4505. Digital Workstation Fundamentals. (2). Basic operation of Synclavier Digital Audio Workstation. Topics include operating system fundamentals, sound file creation, waveform editing, sampling, timbre creation and modification, sequencing. Examination of related products and equipment. Project required. PREREQUISITES: CMUS 3800 or 3802, one electronic music course, permission of instructor.
4506. Directed Study in Digital Workstation Production. (1-3). Individual projects using Synclavier Digital Audio Workstation. May be repeated up to a maximum of 9 hours, but not for purpose of changing grade originally earned. PREREQUISITES: CMUS 4505 and permission of instructor.
4602-6602. Legal and Business Practices in the Recording Industry I. (3). Structure, organizations, and business relationships which compose commercial music industry. Topics include intellectual property rights, publishing, copyright, licensing, contracts, royalties, labor relations and related business practices. (F). PREREQUISITE: permission of instructor.
4603-6603. Legal and Business Practices in the Recording Industry II. (3). Study of commercial music industry with lecturers and distinguished guests from the industry. Individual project required. (SP). PREREQUISITES: CMUS 4602 and permission of instructor.
4800. Basic Recording. (4). Audio engineering on modern multi-channel recording equipment using commercial production techniques. Emphasis on basic skills of microphone selection and placement, console operation, editing, mixing, and the engineer's artistic involvement in the project. (SP). PREREQUISITES: TECH 1811; CMUS 3800, and permission of instructor.
4801. Problems in Commercial Music. (1-3). Supervised independent study. Music. May be repeated to maximum of nine hours, but not for purpose of changing grade originally given. PREREQUISITE: permission of instructor.
4802. Advanced Recording. (4). Advanced production laboratory in producing contemporary commercial recordings. Emphasis on signal processing, automation, advanced recording, editing, and mixing techniques. Student will apply knowledge of the creative, business, and technical aspects of the recording process to studio production assignments. (F). PREREQUISITES: CMUS 4800 and permission of instructor.
4803. Advanced Studio Production and Technologies. (4). Comprehensive examination and application of emerging technologies in audio recording including audio/video production, digital recording, computer-assisted composition, and consumer equipment. PREREQUISITES: COMM 3824, CMUS 4802, and permission of instructor.
4804. Recording Studio Administration. (3). Financial and managerial aspects of operating a recording studio; scheduling, expansion, rate schedules and billing, hiring, securing venture capital, risk management, and providing related services. (SP). PREREQUISITE: Permission of instructor.
4805. Mastering, Manufacturing, and Distribution. (3). Examination of creative mastering techniques, audio mastering and manufacturing technologies, and business elements of music media distribution. Creative and aesthetic elements of mixing and mastering for duplication. Vinyl disc, cassette, CD, DAT, and emerging manufacturing and duplication technologies examined. Distribution topics include warehouse operations, packaging, shipping, storage, production schedules, market demand estimates, hiring, labor relations, and accounting. (F). PREREQUISITES: CMUS 4800 and permission of instructor.
4806. Fundamentals of Concert Sound Reinforcement. (3). Basic equipment and production techniques for providing live sound services. Methods for handling various sized groups in diverse locations. PREREQUISITES: CMUS 4800 and permission of instructor.
4895. Senior Project: Jazz and Studio Performance. (3). Project must include live and recorded performances demonstrating the student's mastery of various styles of jazz, popular, and commercial music performance. PREREQUISITES: upper division standing in applied music, CMUS 3827 or permission of instructor.
4896. Senior Project: Jazz and Studio Composition/Arranging. (4). Project must include original compositions and original arrangements of existing compositions in a variety of styles. Project should include live performance, recorded album tracks, and film music. PREREQUISITES: CMUS 4501, 4502, CMUS 4505 or permission of instructor.
4898. Senior Project in Music Business or Recording/Engineering. (4). Comprehensive final project which demonstrates mastery of creative, technical, or business elements of commercial music industry. PREREQUISITES: senior standing and permission of instructor. [I].
4899. Internship. (4). One semester of supervised field work experience in selected areas of the music industry. PREREQUISITE: placement interview and permission of instructor.
NOTE: In addition to specific prerequisites, junior standing or permission of the department chair is a prerequisite for all 3000-- and 4000-- level courses in the Department of Theatre and Dance.
1411. Basic Oral Interpretation. (3). Introduction to interpretation of literature in performance. To develop and heighten performer's responsiveness to the literary text.
1551. Introduction to Theatre. (3). Experiential, conceptual, historical, and cultural study of theatre as a unique form of artistic expression and mirror of human experiences and values throughout the world. Survey of constituent elements of a theatrical work and its major forms of expression. Attendance at The University of Memphis Theatre productions required. [G].
1561. Introduction to Design. (3). Historical and conceptual survey of basic elements of production-scenery, costumes, lighting, sound-and their relation to theatrical production process.
2501. Stage Movement. (3). Introduction to movement as basic element of actor's craft. Focus on recognition, development, and understanding of natural physical actions and rhythms and their application to stage. [G].
2511. Theatre Crafts. (3). Lecture/laboratory covering all phases of craft skills and equipment involved in technical theatre production. Required lab work.
2512. Introduction to Theatre Graphics. (3). Introduction to artistic graphic communication processes of technical theatre. Includes methodology and importance of beginning sketching; drafting; costume, set, and light design; as well as poster and program graphics. (Offered alternate years).
2515. Stage Make-up. (3). Lecture/laboratory class in which fundamentals of theatrical make-up are studied through a series of make-up projects including corrective make-up, fantasy, mask and beard makeups. (Offered alternate years).
2530. Acting for Non-Majors. (3). Introduction to craft of acting. Development of actor's individual potential through basic technique. Performance of short scenes in class.
2531. Basic Acting Techniques. (4). First essential of acting study: exploration of the actor. Class exercises to develop relaxation, concentration, imagination, and improvisation skills.
2532. Character Development. (4). Principles of role analysis through study of subtext, character motivation, and objectives. PREREQUISITE: THEA 2531 or permission of instructor.
3212. Voice Production for the Performer. (4). Techniques for freeing the vocal mechanism: breathing, phonation, movement to enhance the performer's craft.
3213. Voice Articulation for the Performer. (3). International Phonetic Alphabet. Standard American Dialect. Exercises in articulation and dialects as techniques for conveying dramatic intention and character. May be taken to improve grade in COMM 1211.
3411. Language in Performance. (3). Language of literary text; creative exercises to develop and heighten performer's sensitivity to language context, structure, and rhythm in poetry. (Offered alternate years). [W].
3412. Directing Experiments. (3). Theatrical image; creative exercises in imaginative use of space, time, and materials as they relate to stage direction and design. (Offered alternate years).
3505. Mime. (3). Techniques, composition and exploration of various styles of mime. PREREQUISITE: THEA 2501 or permission of instructor.
3506. Movement Styles. (3). Techniques and choreography of the movement styles of various periods, with study in such areas as stage combat and masks. PREREQUISITE: THEA 3505 or permission of instructor.
3511. Stagecraft. (3). Lecture/laboratory includes theatre terminology, theatre forms, production organization, job descriptions, and safety. Scenery construction to include painting, flat scenery, three-dimensional scenery, and introduction to steel materials. Required lab work. (Offered alternate years). PREREQUISITE: THEA 2511.
3531. Scene Study. (4). Development of ensemble work within scenes. May be repeated for a maximum of 8 hours with permission of instructor. PREREQUISITE: THEA 2532.
3532. Advanced Scene Study. (4). Continuation of 3531. Attention to material from modern classics. May be repeated for a maximum of 8 hours with permission of instructor. PREREQUISITE: THEA 3531.
3551. Audition Preparation Performance Laboratory. (1). (3541-005). Weekly meeting to review/critique actors' audition choices and progress. PREREQUISITE: permission of instructor.
3561. Principles of Scene Design. (3). Application of principles to various theatrical conventions and configurations. (Offered alternate years).
3562. Principles of Costume Design. (3). Techniques of costume design with special attention to character interpretation and design visualization. Open to non-majors with permission of instructor. Offered alternate years.
NOTE: THEA 3601, 3602, 3603, 3604, 3605, 3606, and 3607 include preparation for and participation in departmental theatre productions. Individualized work is in the form of supervised laboratory situations. Running crews for season productions selected from participating labs. Each course may be repeated for a maximum of 3 hours with permission of the instructor.
3601. Management and Publicity Production Laboratory. (1). (3542-001).
3602. Costumes Production Laboratory. (1). (3542-002).
3603. Lighting Production Laboratory. (1). (3542-003).
3604. Sound Production Laboratory. (1). (3542-004).
3605. Scenery Production Laboratory. (1). (3542-005).
3606. Props Production Laboratory. (1). (3542-006).
3607. Make-up Production Laboratory. (1). (3542-007).
4210-19-6210-19. Special Topics in Theatre. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4401-6401. Interpretation of Children's Literature. (3). Adaptation of literature for individual and group performances in children's theatre and in instruction for elementary and secondary schools. Includes styles of literature, principles of performance, and techniques for performance adaptation. May be repeated for up to 6 hours credit with permission of instructor.
4441-6441. Performance Repertory. (3). Group performance in dramatic and narrative theatre styles as well as dance and theatre movement. May be repeated for a maximum of 9 hours. PREREQUISITE: Prospective students must audition for and be cast in the Memphis Moving Line Company.
4455. Directing Narrative Theatre. (3). Directing techniques for staging literary texts not originally written for the theatre. Includes script adaptation of short stories, poetry, and non-fiction prose. Directing projects required. (Offered alternate years). PREREQUISITE: THEA 4521 or permission of instructor.
4457-6457. Interpretive Styles. (3). Exploration of performance style as it evolves from language, structure, and style of the literary text. Materials for performance will vary each semester and may alternate among the genres of prose fiction, poetry, and period drama. Repeatable for a maximum of 9 hours when content varies. PREREQUISITE: permission of instructor.
4501-6501. Advanced Movement Styles. (3). Advanced study in physical theatre styles. Varied semester topics: mask performance; fighting styles for period weapons; and physical theatre techniques for directors, teachers, and choreographers. Repeatable for a maximum of 6 hours when content varies. PREREQUISITE: permission of instructor.
4503-6503. Creative Dramatics. (3). Basic techniques and theories for use of dramatization in elementary and secondary education. Includes socio-drama, dramatization of school subjects and daily concerns, and improvisation and creation of dramatic plays.
4515-6515. Scene Painting. (3). Lecture/laboratory covering techniques of painting scenery for stage. (Offered alternate years). PREREQUISITE: THEA 3561.
4516-6516. Technical Direction. (3). Lecture/ laboratory for theatre technicians includes production organization and safety, engineering, rigging, materials control and supply ordering. (Offered alternate years). PREREQUISITE: THEA 3511 .
4521. Principles of Stage Direction. (3). Exploration of conceptual, planning and implementation skills of stage director from script interpretation to rehearsal and performance. Attention to both traditional and non-traditional theatrical modes. Directing projects required. (Offered alternate years). PREREQUISITE: THEA 3412 or permission of instructor.
4523-6523. Children's Theatre. (3). Exploration of theories and styles of children's theatre, application of principles to problems in production and preparation of plays designed for children's audiences. May be repeated for up to 6 hours credit with permission of instructor.
4531-6531. Acting Styles. (4). Development of acting styles as influenced by environments of historical periods. May be repeated for maximum of 8 hours. (Offered alternate years). PREREQUISITE: THEA 3532.
4532-6532. Advanced Acting Styles. (4). Continued work in acting styles. May be repeated for maximum of 8 hours. (Offered alternate years). PREREQUISITE: THEA 4531.
4541. Internship. (1-6). Supervised work in actual university, community, or professional theatre productions on internship basis. Credit varies with amount of time and responsibility involved. May be repeated for a maximum of 12 semester hours. PREREQUISITE: permission of Director of Theatre.
4551-6551. Theatre History-Classic. (3). Shaping forces and theatrical forms from primitive civilizations to the Renaissance in both Western and non-Western cultures, with emphasis on the former. (Offered altemate years).
4552-6552. Theatre History-Modern. (3). Continuation of 4551 to present. Offered alternate years.
4553. Directed Individual Studies in Theatre. (1-3). For advanced student who wishes to do concentrated study in specific area of theatre. May be repeated for maximum of 9 hours. PREREQUISITE: permission of instructor.
4554-6554. Costume History. (3). Survey of clothing fashions from primitive times to present; special emphasis on psychological implications of fashion change applicable to theatre. May be repeated for a maximum of 6 hours. (Offered alternate years).
4555-6555. Technical Production Studio: Theatre Technology. (3). Lecture/laboratory using traditional and contemporary materials and scenic techniques including rigging, metals and welding, wood working, and plastics. PREREQUISITE: THEA 3511 or permission of instructor.
4556-6556. Technical Production Studio: Lighting and Sound. (3). Study of technical principles that support areas of theatrical lighting and sound design. Includes instrumentation and equipment, electricity and electronics, control systems, operational and maintenance principles and procedures for stage electricians and sound engineers.
4557-6557. Technical Production Studio: Costume. (3). Intermediate costume construction techniques employing both traditional and experiential methods for sewing. Brings costume design from concept to reality. PREREQUISITE: THEA 3562 or permisssion of instructor.
4561. Design Studio: Scenic. (3). Application of design principles to study of analysis, design process, and graphic skills. Creative expression and portfolio development also stressed.
4562. Design Studio: Lighting and Sound. (3). Lecture/seminar/practicum investigation of arts of lighting and sound design. Includes: script analysis, design approaches and methodologies, procedures and practices for working designers, cue techniques, design styles and forms, and criticism of lighting and sound design. Research project work and staged scenes required. PREREQUISITE: THEA 4556 or permission of instructor.
4563. Design Studio: Costume. (3). Theories and techniques of aesthetics of costume design as applied to contemporary theatre. Script analysis for costume design. Character and period interpretation through line, color, and fabric.
4564. Scenography. (3). Total production design-coordination of all aspects of costume, scenery, and lighting into whole of production. May be repeated for maximum of 6 hours. (Offered alternate years). PREREQUISITE: THEA 4560 or permission of instructor.
4571-6571. Playwriting. (3). Theory and principles of writing plays for stage. Practice in writing either short or long play. May be repeated for maximum of 9 semester hours. (Offered alternate years). PREREQUISITE: permission of instructor. [W].
4582. Script Interpretation. (3). Exploration of the script as blueprint for realization of artistic stage image. Special attention given to plot, structure, character treatment, and language style as they relate to performance, direction, and scenography. (Offered alternate years). PREREQUISITE: major or minor in Department of Theatre and Dance. [I, W].
4591. Theatre Management. (3). Procedures and practices for stage management; theatrical production management; box office; publicity and promotion for theatre and performing arts. Comparative study of commercial, educational, and amateur theatre operations. (Offered alternate years). C].
4592-6592. Theatre Architecture And Facilities Planning. (3). Processes and techniques employed by theatre planners in design and construction/renovation of theatrical spaces and structures. Includes survey of theatre forms, historical development of theatrical structures and spaces, programming methods and procedures, specification, renovation techniques, multi-use structure concepts, and consultation procedures and practices. (Offered alternate years). PREREQUISITE: permission of instructor.
4595-6595. Theatre Sound. (3). Technical and theoretical principles, equipment, operational techniques, systems design, creative design processes, and aesthetics for Theatre Sound. Application of traditional and contemporary techniques and equipment. Research, project work, and realized sound designs required. (Offered alternate years).
4631-6631. Acting for Film and Television. (4). Educational experience for actor in media of film and television, concentrating on dramatic, commercial and documentary areas. (Offered alternate years). PREREQUISITE: permission of instructor.
4980. Honors Studies. (3). (COMM, THCA). Reserved for students enrolled in Theatre and Dance Honors Program. May be repeated for a maximum of 15 hours. PREREQUISITE: Permission of Director of Theatre and Dance Honors Program.
4982. Honors Seminar. (3). (THCA). Intensive study of particular problems in theatre and dance. May be repeated for a maximum of 12 hours when semester topics vary. PREREQUISITE: permission of Director of Theatre and Dance Honors Program.
4999. Senior Honors Thesis. (3). (COMM 4981, THCA 4999). Supervised independent research project. Open only to students enrolled in the Theatre and Dance Honors Program. May be repeated for a maximum of 6 hours. PREREQUISITE: permission of Director of Theatre and Dance Honors Program.
DANC 1821, 1825, 1827, 2821, 2825, and 2827 may be used to fulfill the university degree requirements for physical activity courses. See Graduation from the University for details.
1151. Introduction to Dance. (3). Comprehensive study of dance as an expressive art form, a symbolic language, and an integral aspect of world cultures. Emphasis on developing both aesthetic response and critical skills through an analysis of major dance forms, styles, and genres. [G].
1821. Modern Dance I. (2). Introduction to modern dance techniques; emphasis on exploration of fundamentals of dance. For student with little or no previous experience in modern dance. May be repeated for a maximum of 4 semester hours with permission of instructor. [G].
1825. Ballet I. (2). Introduction to classical ballet technique; emphasis on barre and center floor work. For student with little or no previous experience in ballet. May be repeated for a maximum of 4 semester hours credit with permission of instructor. [G].
1827. Jazz Dance I. (2). Contemporary jazz dance techniques; emphasis on fundamentals of idiom. For student with little or no previous experience in jazz dance. May be repeated to a maximum of 4 hours with permission of instructor. [G].
2101. Dance Improvisation. (3). Elements of space, time and force; their interrelationships and their specific applications to movement sequences. Experiences in spontaneous development of dance phrases. May be repeated to a maximum of 6 hours with permission of instructor. (Offered alternate years). PREREQUISITE: DANC 1821 or permission of instructor.
2821. Modern Dance II. (2). (1822). Intermediate modern dance techniques. May be repeated to a maximum of 4 hours with permission of instructor. PREREQUISITE: DANC 1821 or permission of instructor. [G].
2825. Ballet II. (2). (1826). Intermediate ballet techniques. May be repeated to a maximum of 4 hours with permission of instructor. PREREQUISITE: DANC 1825 or permission of instructor. [G].
2827. Jazz Dance II. (2). (1828). Intermediate jazz dance techniques. May be repeated to a maximum of 4 hours with permission of instructor. PREREQUISITE: DANC 1827 or permission of instructor. [G].
3101. History of Dance. (3). Basic features of and uses for dance and expressive movement from early cultures to present. (Offered alternate years).
3201. Dance Movement Analysis. (3). Theory and methods of analyzing and describing dance movement. Varied semester topics: dance notation, Laban movement analysis, Bartenieff fundamentals, rhythmic analysis, kinetic awareness and body alignment techniques. Repeatable up to 6 hours with permission of instructor. PREREQUISITE: intermediate level dance technique. (Offered alternate years).
3829. Advanced Dance Techniques. (3-4). Intensive development and refinement of dance technique. Focus on artistic concerns appropriate to advanced level. Repeatable for a maximum of 12 hours with permission of the instructor; repetition will not result in a change of any grade previously given. PREREQUISITE: DANC 2821 and 2825 or permission of instructor.
4000-4029-6000-6029. Special Topics in Dance. (1-3). Topics are varied and announced in Schedule of Classes. May be repeated to a maximum of 9 hours when topic varies.
4101-6101. Dance Repertory. (3). Exploration of stylistic, techinical, and expressive elements in rehearsal and performance. May include notated works, faculty and guest artist choreography. May be repeated for a maximum of 9 hours. PREREQUISITE: permission of instructor.
4201-6201. Dance Composition. (3). Investigation of movement sources and development of elements of choreographic craft. Emphasis on solo and duet work. May be repeated for a maximum of 6 hours with permission of instructor. (Offered alternate years). PREREQUISITE: DANC 2101 or permission of instructor.
4301-6301. Directed Studies in Dance. (1-3). Individual study, research or practicum. May be repeated for a maximum of 12 hours. PREREQUISITE: permission of instructor.
Major Group Lower Division Upper Division
Instrument Instruction (2) (1-4 each) (1-6 each)
Trumpet 1110 1111 4111-6111
Horn 1120 1121 4121-6121
Trombone 1130 1131 4131-6131
Tuba 1140 1141 4141-6141
Cornett 1150 1151 4151-6151
Sackbut 1160 1161 4161-6161
Piano 1310 1311 4311-6311
Harpsichord - 1321 4321-6321
Organ - 1331 4331-6331
Percussion 1410 1411 4411-6411
Violin 1510 1511 4511-6511
Baroque Violin - 1512 4512-6512
Viola 1520 1521 4521-6521
Cello 1530 1531 4531-6531
Bass 1540 1541 4541-6541
Guitar 1550 1551 4551-6551
Harp 1560 1561 4561-6561
Viola da Gamba 1570 1571 4571-6571
Voice 1610 1611 4611-6611
Flute 1710 1711 4711-6711
Oboe 1720 1721 4721-6721
Clarinet 1730 1731 4731-6731
Saxophone 1740 1741 4741-6741
Bassoon 1750 1751 4751-6751
Recorder 1760 1761 4761-6761
Jazz Trumpet - 1112 4112
Jazz Piano - 1312 4312
Jazz Percussion - 1412 4412
Jazz Bass - 1542 4542
Jazz Guitar - 1552 4552
Jazz Voice - 1612 4612
REGISTRATION: Students will register for lessons in the same manner and at the same time as they register for other courses; however, students may not be assigned to a course number until they have auditioned. Auditions are held in the Music Building during the pre-college counseling, advising and registration periods before each semester. Auditions may be scheduled in the Music Office, Room 123, Music Building. Any inquiries concerning credits or course numbers should be directed to the chair of the Department of Music.
THEATRE AND DANCE
PROFESSOR JOHN J. MCFADDEN, JR., Chair
Room 143, Theatre and Communication Arts Building
THEATRELIB@CC.MEMPHIS.EDU
The Department of Theatre and Dance offers a B.F.A. degree in Theatre with concentrations in Performance, Design and Technical Production, and Dance. The University of Memphis is an accredited institutional member of the National Association of Schools of Theatre.